Carroll laid a hand on her shaking shoulder. It felt to him like a
vibrating bone, so meagre it was. He bent over her and said something
that the others did not hear, but her wild rejoinder gave them the
key. She was fairly desperate; all her obsequiousness had
disappeared. She was burning with her wrongs; she even took a certain
pleasure in letting herself loose. She shook her shoulder free from
his touch. She turned on him, her tearful, convulsed face uncovered,
her frizzes tossing, as bold and unrestrained in her wrath as was
Minna Eddy, who came forward to her side as she spoke.
"You needn't come wheedlin' around me," she cried. "I don't believe a
word of it, not a word. I'll believe it when I see the color of your
cash. You're dreadful soft-spoken, an' so is your wife an' your
sister an' your daughters. Dreadful soft-spoken! Plenty of soft soap
runnin' all over every time you open your mouth. I don't want soft
soap. Soft soap won't buy me bread an' butter, nor pay my debts.
Folks won't take any soft soap from me instead of money. They want
dollars an' cents, an' that's what I want every time, dollars an'
cents, an' not soft soap. Yes, it's dollars an'--cents--and not so-ft
soa-p." Suddenly the dress-maker, borne high on a wave of hysteria,
disclosing the innate coarseness which underlay all her veneer of
harmless gentility and fine manners, raised a loud, shrill laugh,
ending in a multitude of reverberations like a bell. There was about
this unnatural metallic laughter something fairly blood-curdling in
its disclosure of overstrained emotion. She laughed and laughed,
while the room was silent except for that, and every eye was fixed
upon her. Poor, little Estella Griggs, of all that accusing company
of Arthur Carroll's petty creditors, had the floor. She laughed and
laughed. She threw back her head. Her plumed hat was tilted rakishly
one side; her frizzes tossed high above her forehead, revealing the
meagre temples; her skinny throat seemed to elongate above her
ribboned collar; her thin cheeks, folded into a multitude of lines by
her distorting mirth, glowed with a hard red; her eyes gleamed with a
glassy brilliance. Then, suddenly, that long, skinny throat seemed to
swell visibly. She choked and gurgled, then came a wild burst of
sobbing. Hysteria had reached its second stage. It was frightful.
"Good God!" said one of the horsemen, under his breath.
"That's so," said the other. "Let's git out of this."
They elbowed their way out of the room. "See you again," one of them
said, curtly, to Carroll as he passed.
"See you to-morrow about that little affair of ours, an' by G--,
you've got to pony up, you can take your oath on that, an' don't you
forget it," whispered the other in Carroll's ear, with a fierce
emphasis, and yet he half grinned with a masculine sympathy in this
ultra crisis.
"It's gitting too thick," said the other horseman. "See you
to-morrow, and, by G--, you've got to do somethin' or there'll be
trouble."
Public-domain text, read in full here on John Shaqi.
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