Allegories; Frame stories; Plague -- Europe -- History -- Fiction; Storytelling -- Fiction
best not to believe, may yet be in some degree entertaining to hear.
Know, then, that at Siena there dwelt in Porta Salaia two young men of
the people, named, the one, Tingoccio Mini, the other Meuccio di Tura,
who, by what appeared, loved one another not a little, for they were
scarce ever out of one another's company; and being wont, like other
folk, to go to church and listen to sermons, they heard from time to time
of the glory and the woe, which in the other world are allotted,
according to merit, to the souls of the dead. Of which matters craving,
but being unable to come by, more certain assurance, they agreed together
that, whichever of them should die first, should, if he might, return to
the survivor, and certify him of that which he would fain know; and this
agreement they confirmed with an oath. Now, after they had made this
engagement, and while they were still constantly together, Tingoccio
chanced to become sponsor to one Ambruogio Anselmini, that dwelt in Campo
Reggi, who had had a son by his wife, Monna Mita. The lady was exceeding
fair, and amorous withal, and Tingoccio being wont sometimes to visit her
as his gossip, and to take Meuccio with him, he, notwithstanding his
sponsorship, grew enamoured of her, as did also Meuccio, for she pleased
him not a little, and he heard her much commended by Tingoccio. Which
love each concealed from the other; but not for the same reason.
Tingoccio was averse to discover it to Meuccio, for that he deemed it an
ignominious thing to love his gossip, and was ashamed to let any one know
it. Meuccio was on his guard for a very different reason, to wit, that he
was already ware that the lady was in Tingoccio's good graces. Wherefore
he said to himself:--If I avow my love to him, he will be jealous of me,
and as, being her gossip, he can speak with her as often as he pleases,
he will do all he can to make her hate me, and so I shall never have any
favour of her.
Public-domain text, read in full here on John Shaqi.
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