The decline of the West, Volume 1 : $b Form and actualitySpengler, Oswald
Philosophy
The decline of the West, Volume 1 : $b Form and actuality
Spengler, Oswald
Civilization -- History
Seeking thus to obtain a clear idea of the unifying principle out of
which each of these two worlds is conceived, we find that
mathematically-controlled cognition relates always (and the purer it is,
the more directly) to a continuous present. The picture of nature dealt
with by the physicist is that which is deployed before his senses at the
given moment. It is one of the tacit, but none the less firm,
presuppositions of nature-research that “Nature” (_die_ Natur) is the
same for every consciousness and for all times. An experiment is
decisive for good and all; time being, not precisely denied, but
eliminated from the field of investigation. Real history rests on an
equally certain sense of the contrary; what it presupposes as its origin
is a nearly indescribable sensitive faculty within, which is
continuously labile under continuous impressions, and is incapable
therefore of possessing what may be called a centre of time.[83] (We
shall consider later what the physicist means by “time.”) The picture of
history—be it the history of mankind, of the world of organisms, of the
earth or of the stellar systems—is a _memory_-picture. “Memory,” in this
connexion, is conceived as a higher state (certainly not proper to every
consciousness and vouchsafed to many in only a low degree), a perfectly
definite kind of imagining power, which enables experience to traverse
each particular moment _sub specie æternitatis_ as one point in an
integral made up of all the past and all the future, and it forms the
necessary basis of all looking-backward, all self-knowledge and all
self-confession. In this sense, Classical man has no memory and
therefore no history, either in or around himself. “No man can judge
history but one who has himself experienced history,” says Goethe. In
the Classical world-consciousness all Past was absorbed in the instant
Present. Compare the entirely historical heads of the Nürnberg Cathedral
sculptures, of Dürer, of Rembrandt, with those of Hellenistic sculpture,
for instance the famous Sophocles statue. The former tell the whole
history of a soul, whereas the latter rigidly confines itself to
expressing the traits of a momentary being, and tells nothing of how
this being is the issue of a course of life—if indeed we can speak of
“course of life” at all in connexion with a purely Classical man, who is
always complete and never becoming.
-----
Footnote 79:
“There are prime phenomena which in their godlike simplicity we must
not disturb or infringe.”
Footnote 80:
The date of Napoleon’s defeat, and the liberation of Germany, on the
field of Leipzig.—_Tr._
Footnote 81:
See Vol. II, pp. 25 et seq., 327 et seq.
Footnote 82:
“All we see before us passing
Sign and symbol is alone.”
From the final stanza of Faust II (Anster’s translation).—_Tr._
Footnote 83:
Public-domain text, read in full here on John Shaqi.
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