The decline of the West, Volume 1 : $b Form and actualitySpengler, Oswald
Philosophy
The decline of the West, Volume 1 : $b Form and actuality
Spengler, Oswald
Civilization -- History
Over the expanse of the water passes the endless uniform wave-train of
the generations. Here and there bright shafts of light broaden out,
everywhere dancing flashes confuse and disturb the clear mirror,
changing, sparkling, vanishing. These are what we call the clans,
tribes, peoples, races which unify a series of generations within this
or that limited area of the historical surface. As widely as these
differ in creative power, so widely do the images that they create vary
in duration and plasticity, and when the creative power dies out, the
physiognomic, linguistic and spiritual identification-marks vanish also
and the phenomenon subsides again into the ruck of the generations.
Aryans, Mongols, Germans, Kelts, Parthians, Franks, Carthaginians,
Berbers, Bantus are names by which we specify some very heterogeneous
images of this order.
But over this surface, too, the great Cultures[86] accomplish their
majestic wave-cycles. They appear suddenly, swell in splendid lines,
flatten again and vanish, and the face of the waters is once more a
sleeping waste.
A Culture is born in the moment when a great soul awakens out of the
proto-spirituality (_dem urseelenhaften Zustande_) of ever-childish
humanity, and detaches itself, a form from the formless, a bounded and
mortal thing from the boundless and enduring. It blooms on the soil of
an exactly-definable landscape, to which plant-wise it remains bound. It
dies when this soul has actualized the full sum of its possibilities in
the shape of peoples, languages, dogmas, arts, states, sciences, and
reverts into the proto-soul. But its living existence, that sequence of
great epochs which define and display the stages of fulfilment, is an
inner passionate struggle to maintain the Idea against the powers of
Chaos without and the unconscious muttering deep-down within. It is not
only the artist who struggles against the resistance of the material and
the stifling of the idea within him. Every Culture stands in a deeply-
symbolical, almost in a mystical, relation to the Extended, the space,
in which and through which it strives to actualize itself. The aim once
attained—the idea, the entire content of inner possibilities, fulfilled
and made externally actual—the Culture suddenly hardens, it mortifies,
its blood congeals, its force breaks down, and it becomes
_Civilization_, the thing which we feel and understand in the words
Egypticism, Byzantinism, Mandarinism. As such they may, like a worn-out
giant of the primeval forest, thrust their decaying branches towards the
sky for hundreds or thousands of years, as we see in China, in India, in
the Islamic world. It was thus that the Classical Civilization rose
gigantic, in the Imperial age, with a false semblance of youth and
strength and fullness, and robbed the young Arabian Culture of the East
of light and air.[87]
Public-domain text, read in full here on John Shaqi.
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