The decline of the West, Volume 1 : $b Form and actualitySpengler, Oswald
Philosophy
The decline of the West, Volume 1 : $b Form and actuality
Spengler, Oswald
Civilization -- History
In the actuality of waking existence both worlds, that of scrutiny and
that of acceptance (Hingebung), are interwoven, just as in a Brabant
tapestry warp and woof together effect the picture. Every law must, to
be _available_ to the understanding at all, once have been discovered
through some destiny-disposition in the history of an intellect—that is,
it must have once been in experiential life; and every destiny appears
in some sensible garb—as persons, acts, scenes and gestures—in which
Nature-laws are operative. Primitive life is submissive before the
daemonic unity of the fateful; in the consciousness of the mature
Culture this “early” world-image is incessantly in conflict with the
other, “late,” world-image; and in the civilized man the tragic world-
feeling succumbs to the mechanizing intellect. History and nature
_within ourselves_ stand opposed to one another as _life_ is to _death_,
as _ever-becoming time_ to _ever-become space_. In the waking
consciousness, becoming and become struggle for control of the world-
picture, and the highest and maturest forms of both sorts (possible only
for the great Cultures) are seen, in the case of the Classical soul, in
the opposition of Plato and Aristotle, and, in the case of our Western,
in that of Goethe and Kant—the pure physiognomy of the world
contemplated by the soul of an eternal child, and its pure system
comprehended by the reason of an eternal greybeard.
XII
Herein, then, I see the _last_ great task of Western philosophy, the
only one which still remains in store for the aged wisdom of the
Faustian Culture, the preordained issue, it seems, of our centuries of
spiritual evolution. No Culture is at liberty to _choose_ the path and
conduct of its thought, but here for the first time a Culture can
foresee the way that destiny has chosen for it.
Public-domain text, read in full here on John Shaqi.
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