It was the Kaiser-idea that welded the disjunct primitives of Charlemagne’s time into the German nation. Germany and Empire are inseparable ideas. The fall of the Hohenstaufens meant the replacement of one great dynasty by a handful of small and tiny ones; and the German nation of Gothic style was inwardly shattered even before the beginning of the Baroque--that is, at the very time when the nation-idea was being raised to higher levels of intellect in leader-cities like Paris, Madrid, London, and Vienna. The Thirty Years’ War, so conventional history says, destroyed Germany in its flower. Not so; the fact that it could occur at all in this wretched form simply confirmed and showed up a long-completed decadence--it was the final consequence of the fall of the Hohenstaufens. There could hardly be a more convincing proof that Faustian nations are dynastic units. But then again, the Salians and the Hohenstaufens created also--at least in idea--an Italian nation out of Romans, Lombards, and Normans. Only the Empire made it possible for them to stretch a hand back to the age of Rome. Even though alien power evoked the hostility of the townsmen, and split the two primary orders, the nobles to the Emperor, the priests to the Pope; even though in these conflicts of Guelph and Ghibelline the nobility soon lost its importance and the Papacy rose through the anti-dynastic cities to political supremacy; even though at the last there was but a tangle of predatory states whose “Renaissance”-politics opposed the soaring world-policy of the Gothic Empire, as Milan of old had defied the will of Frederick Barbarossa--yet the ideal of _Una Italia_, the ideal for which Dante sacrificed the peace of his life, was a pure dynastic creation of the great Germany emperors. The Renaissance, whose historical horizon was that of the urban patriciate, led the nation as far out of the path of self-fulfilment as it is possible to imagine. All through the Baroque and Rococo the land was depressed to the state of being a mere pawn in the power-politics of alien houses. And not until after 1800 did Romanticism arise and reawaken the Gothic feeling with an intensity that made of it a political power.