But the Homeric poetry is purely aristocratic. Of the two worlds--that of the noble and that of the priest, that of Taboo and that of Totem, that of heroism and that of sanctity--only the one is here living. It not only does not understand, but actually despises, the other. As in the Edda, so in Homer, it is the greatest glory of an immortal to know the way and code of nobility. The thinkers of the Classical Baroque, from Xenophanes to Plato, regarded these scenes of god-life as impudent and trivial, and they were right; they felt exactly as the theology and philosophy of the later West felt about the Germanic hero-sagas and even about Gottfried of Strassburg, Wolfram, and Walther. If the Homeric epics did not vanish as the hero-songs collected by Charlemagne vanished, it was only because there was no fully formed Classical priesthood, with the result that the Classical cities, when they arose, were intellectually dominated by a knightly and not a religious literature. The original doctrines of this religion, which out of opposition to Homer linked themselves with the (probably) still older name of Orpheus, were never written down. All the same, they existed. Who knows what and how much is hidden behind the figures of Calchas and Tiresias? A mighty upheaval there must have been at the beginning of this Culture, as at that of others--an upheaval extending from the Ægean Sea as far as Etruria--but the Iliad shows as few signs of it as the lays of the Nibelungs and of Roland show of the inwardness and mysticism of Joachim of Floris, St. Francis, and the Crusades, or of the inner fire of that _Dies Iræ_ of Thomas of Celano, which would probably have excited mirth at a thirteenth-century court of love. Great personalities there must have been to give a mystical-metaphysical form to the new world-outlook, but we know nothing of them and it is only the gay, bright, easy side of it that passed into the song of knightly halls. Was the “Trojan War” a feud, or was it also a Crusade? What is the meaning of Helen? Even the Fall of Jerusalem has been looked at from a worldly point of view as well as from a spiritual.