I supposed he meant that I could serve Alma best by learning everything
possible about her, but I resented this sort of procedure.
The girl was frightened, too. She drew her breath quickly, as if fearing
she had been indiscreet, but March restored her equanimity by his next
words.
“That’s all right, Dora,” he said, “it doesn’t matter what book she had
or what music she played. Then she went to bed? She didn’t go out
anywhere?”
“Oh, no, sir, it was near ten, then. Miss Remsen never goes out evenings
unless to a party and then somebody fetches her or Mother goes with her.”
“Well, you’ve told a straight story, and that’s all we want to know. Now,
I’m going to give the house the once over.”
“What’s that, sir?”
“A glance about. You see, Dora, I’m connected with the police and——”
“The police, sir!” she cried, and sank into a chair.
But suddenly she sprang to her feet again, and said, in a low, tense
tone, “Will you please go away, sir? Go away, and come when my father or
mother shall be here?”
“No, Dora, we can’t do that. You ought to know that the police cannot be
told what to do. But rest assured, we mean no harm to your young
mistress, and we are hoping to find some clues or evidence that will free
her from suspicion.”
Dora looked thoroughly perplexed. She glanced from the window, as if of a
mind to call Michael, but he was not in sight.
“And I may as well tell you,” March continued, his iron hand still in a
velvet glove, “that you’d better let us have our way, without raising any
objection. For you can’t stop us, and you’d only create unpleasantness
for yourself.”
Dora seemed to see reason, and she nodded her head in assent.
“What do you want me to do?” she asked, in a subdued voice.
“Go with us and show us the rooms. That’s all. We shall not really
disturb anything and it will save Miss Remsen trouble if we can get
through before her return.”
So Dora went ahead, with an air of obedience under protest that showed
itself in her dragging footsteps and her sombre eyes.
“This is the living room,” she said, indicating the room we already knew.
March stepped inside. He quickly scanned the appointments, but he had
seen them before and paid real attention only to the bookcase. This
produced nothing of interest, however, and we went on through a cozy
little writing room to the dining room, a delightful cheery room hung
with chintzes and gay with bowls of flowers.
To my amazement, the detective devoted his scrutiny to the dining table.
He examined the wood of it carefully and then drawing a lens from his
pocket peered through it in true Sherlock Holmes fashion.
I wondered if this was meant to impress the staring Dora, but March
seemed to be interested on his own account, and he pocketed his lens with
a sigh of satisfaction.
“Now the kitchen,” he said, and we went thither.
A modern, immaculate kitchen it was, with all the up-to-date contrivances
for lightening labour and for achieving quick results.
Public-domain text, read in full here on John Shaqi.
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