The Defensive Armour and the Weapons and Engines of War of Mediæval Times, and of the "Renaissance."Clephan, R. Coltman (Robert Coltman)
History
The Defensive Armour and the Weapons and Engines of War of Mediæval Times, and of the "Renaissance."
Clephan, R. Coltman (Robert Coltman)
Armor; Weapons
The earlier Anglo-Saxon sword is, as far as can be ascertained, without
cross-guard, but it has a small pommel. A MS. in the British Museum of
the tenth century gives an illustration of a sword of this kind, which
is only two feet long.
We read in “Sagas” that the swords of heroes were often endowed with
names or titles, such as the “Hrunting” of Beowulf, the “Excalibur” of
Arthur, the “Tizona” of the Cid.
The component parts of the sword are of course the blade and the hilt.
The tang is a piece of wrought iron welded into the shoulder of the
blade, and inserted in the grip or handle, at the bottom of which is
the pommel. The pieces or guards which pass across between the hilt
and the blade are the quillons. Proving the blade was accomplished in
various ways: an early method was by a heavy blow on a block of iron,
first the flat, then the edge, and lastly the back; then bending the
blade flatwise. The operation concluded by driving the point through
a thin iron plate, which was called the “Toledo” test. A machine for
testing swords was invented in England towards the end of the last
century by Matthew Bolton, in which the blade was forced into a curve,
reducing from 36 inches to 29 inches.
The Frankish sword of the eighth and ninth centuries is cruciform,
with a pommel, which is itself sometimes surmounted with a cross. This
may be seen in the Codex Aureus of St. Gall. The weapon of this period
is, however, far from being uniform in shape, length, or breadth.
The knightly weapon of the Bayeux tapestry is cruciform with a long,
straight, two-edged blade, coming somewhat abruptly to a point, and
a ridge running up the centre. The hilts are heavy and strong, with
pommels. A Norman sword on the tapestry shows the pommel to curve on
the grip. There is an actual specimen of this period in the Museum of
Artillery, Paris. The blade of the footman’s weapon is much narrower
than that of the knight. The sword of William Rufus is shown on a
miniature in the Canterbury bible. The point is obtuse, the blade
widens towards the quillons, the ends of which curve upwards, while the
grip is short, and the pommel round.
There is not much change in the twelfth century, when swords vary a
good deal in form; as also does the shape of the pommel. A specimen
of the reign of the Emperor Frederic Barbarossa is in the museum at
Dresden.
The cultellus or coustel is a short sword or long dagger. The weapon
is mentioned in a statute of William of Scotland, 1165–1214. From this
time forward we have in military brasses and effigies figures of the
knightly sword brought before us as it actually was.
Public-domain text, read in full here on John Shaqi.
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