The Defensive Armour and the Weapons and Engines of War of Mediæval Times, and of the "Renaissance."Clephan, R. Coltman (Robert Coltman)
History
The Defensive Armour and the Weapons and Engines of War of Mediæval Times, and of the "Renaissance."
Clephan, R. Coltman (Robert Coltman)
Armor; Weapons
the Romans, brother of Henry III. This statement would point to its
being a weapon of the thirteenth century, which it undoubtedly is. The
tenure is given in the inquest of Sir John Conyers in 1396. The Baron
de Cosson mentions two examples somewhat similar, one in the Musée de
Cluny, Paris; the other in the Brera at Milan. He compares the Conyers
falchion with one given on the drawing from the Painted Chamber,
Westminster, attributed by Mr. John Hewitt to the second half of the
thirteenth century. The forms are certainly almost identical. The
Conyers weapon has a nearly round pommel, with the quillons slightly
curved towards the point at the extremities. The Paris falchion has
a very large circular pommel, with the quillons on a sharp curve in
the same direction. The guard of the Milan specimen is straight and
the pommel a large oval, with small square side projections. The
blades of all three falchions are similar in form, the Milan example
being the largest. Drawings of the three falchions may be seen in
the _Proceedings_ (vol. v., p. 42) of the Society of Antiquaries of
Newcastle-on-Tyne. _The True Tragedy of Richard of Yorke_ (1595) says:
“With purple fawchon painted to the hilts.” Another local tenure
sword, mentioned in Blount’s _Antient Tenures_, is that under which
the Umfravilles held their lordship of Redesdale in Northumberland.
An instance of the application of the “tenure” principle in a humbler
form and modern date, occurs in an agreement with the sword-smiths of
Shotley Bridge, County of Durham, concerning rent for houses occupied
by them. The rent is supplemented by an annual sword of their own make.
The sabre, which is a near relative of the scimitar, is of two kinds,
both straight and curved; the latter form was in vogue as early as the
thirteenth and fourteenth centuries, and of course later.
An interesting example of the curved form, which is attributed to
Charlemagne (771–814), is preserved in the Treasury at Vienna. The form
betrays its direct Eastern origin, and the tradition is too vague to
base any inferences on it. The sword is about thirty inches long, by
over three-quarters of an inch broad, and would appear to date about
the fourteenth century.
The sword of the fourteenth century continues cruciform, with the
quillons either straight or curving towards the blade. The shape of the
pommel varies greatly, being trefoiled, conical, circular, etc., and
sometimes it is also charged with a cross. It was not uncommon for a
ring to be fixed to the pommel for attachment to a chain connecting it
with a mamillière. Examples of this kind may be seen on an effigy in
the church at Ebersberg, temp. 1371; another at Borfe, in the Tyrol;
and one is given by Hewitt in his _Ancient Armour_, vol. ii., Plate XV.
The sword is fastened at the left side by a broad straight belt, called
a “bawdric.”
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