The Defensive Armour and the Weapons and Engines of War of Mediæval Times, and of the "Renaissance."Clephan, R. Coltman (Robert Coltman)
History
The Defensive Armour and the Weapons and Engines of War of Mediæval Times, and of the "Renaissance."
Clephan, R. Coltman (Robert Coltman)
Armor; Weapons
This figure, with others, is stated by M. Felix de Vigne, in his
_Recherches Historiques sur les Costumes des Gildes, etc._, published
in 1846, to have been reproduced on a drawing by himself from a fresco
that had long been plastered over on a wall in an old building in
Ghent, since pulled down. The soldier wears a bassinet, with camail
of banded-mail overlying the surcoat, and the general aspect of the
figure is that of an armed member of one of the Flemish guilds of
the beginning of the fourteenth century or thereabouts. M. de Vigne
claims to have established the form of the true goedendag in the weapon
carried by the soldier.
The late Mr. Hermann Van Duyse in his brochure, _Le Goedendag arme
Flamande sa Légende et son Histoire_, refers to the old building in
which the fresco was found as by tradition a chapel of the guild of
the weavers of Ghent, known as the “Leugemiete.” The town records and
archives of the Abbaye of St. Bavon both afford confirmatory evidence
that a chapel was built very early in the fourteenth century on or near
the site where the “Leugemiete” stood.
The figure mentioned by Hewitt formed one of a troop preceded by
crossbowmen. The leader wears a visored bassinet, and bears a standard
emblazoned with two triangular shields and five crosses argent. His
sword is long and broad, with quillons curving towards the blade. The
details of the drawing point clearly to the end of the thirteenth
or beginning of the fourteenth century. M. Viollet le Duc, in his
_Dictionnaire du Mobilier_, defines the weapon as a variety of the
voulge or fauchard, while M. Van Malderghem considers it to be a
ploughshare mounted on a staff, or a sort of bill.
In a poem by W. Guiart, written in the French of the period, in the
_Branche des Royaux Leguages_, descriptive of the battle of “Haringues”
in 1297, the goedendag mentioned affords many points of resemblance to
the staff weapon shown on the De Vigne fresco; indeed, it can be no
other.
The goedendag, whatever its form, was used with great effect at the
battle of Courtray in 1302, and is called “goudendar” and “godendar” in
an account of the battle in the _Grandes Chroniques_. Guiart mentions
the goedendag as having been used in this battle in concert with the
lance and guisarme, and the weapon is mentioned in French chronicles
late in the thirteenth century.
Public-domain text, read in full here on John Shaqi.
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