The Defensive Armour and the Weapons and Engines of War of Mediæval Times, and of the "Renaissance."Clephan, R. Coltman (Robert Coltman)
History
The Defensive Armour and the Weapons and Engines of War of Mediæval Times, and of the "Renaissance."
Clephan, R. Coltman (Robert Coltman)
Armor; Weapons
Early examples of armour made for this course may be seen in two very
fine suits on exhibition at Nuremberg. The ponderous lance-rest stands
free by reason of the cuirass being flattened on the right side.
The breastplate, which bears the date 1498 and the Nuremberg guild
monogram, is in two pieces, one of which is a reinforcing plate for
the extra protection of the lower body, and this is fastened on to
the main plate by large screws with very big heads. The lance-rest is
supplemented with a queue screwed on behind, and curving downwards to
hold the butt end of the lance. The right arm has heavy brassards;
while on the left the heavy vambrace and gauntlet are in one solid
piece, and quite plain. There is an immense rondelle on the right side,
with a bouche cut out of the lower part to make room for the lance.
The older of these suits has a sallad, while the one that is rather
later is provided with a “Stechhelm,” which is very heavy and in one
solid piece with the mentonnière, and strongly fastened on to the
breastplate by screws; while a permanent socket and screw attach it
to the backplate. The helm is thus immovable when fixed; it is roomy,
and permits the head to move about freely within. These suits are so
heavy and ponderous that the combatants could do little more than hold
their lances in position; and if unhorsed, lay like logs where they
fell, being unable to rise without the assistance of their varlets. In
arming, each piece required to be screwed on, one after the other. The
later of these suits is taken for illustration in Fig. 6, as it bears
the more characteristic “Stechhelm.”
THE ITALIAN COURSE, OR “WELSCHES (ITALIAN) GESTECH,” ÜBER DIE PALLIA
(OVER THE BARRIERS).
Public-domain text, read in full here on John Shaqi.
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