The Definite Object: A Romance of New YorkFarnol, Jeffery
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The Definite Object: A Romance of New York
Farnol, Jeffery
New York (N.Y.) -- Fiction
"There's nothin' like port!" sighed Mr. Brimberly, setting aside the
empty champagne bottle, "nothin' like port, and there's Young Har 'ardly
can tell it from sherry--oh, the Goth! the Vandyle! All this good stuff
would be layin' idle if it wasn't for me! Young Har ain't got no right
to be a millionaire; 'is money's wasted on 'im--he neglects 'is
opportoonities shameful--eh, shameful! What I say is--what's the use
of bein' a millionaire if you don't air your millions?"
Hereupon Mr. Jenkins rocked himself to and fro over his banjo in a
polite ecstasy of mirth.
"Oh, by Jove!" he gasped, "if that ain't infernal clever, I'll be shot!
Oh, doocid clever I call it--what!"
"Er--by the way, Brim," said Mr. Stevens, his glance roving toward the
open window, "where does he happen to be to-night?"
"Where?" repeated Mr. Brimberly, fingering a slightly agitated whisker,
"where is Young Har, sir? Lord, Mr. Stevens, if you ask me that, I
throws up my 'ands, and I answers you--'eavens knows! Young Har is a
unknown quantity, sir--a will o' the wisp, or as you might say, a ignus
fattus. At this pre-cise moment 'e may be in Jerusalem or Jericho
or--a-sittin' outside on the lawn--which Gawd forbid! But there, don't
let's talk of it. Come on down into the cellars, and we'll bring up
enough port to drownd sorrer an' care all night."
"With all my heart!" said Mr. Jenkins, laying aside his banjo.
"Ditto, indeed!" nodded Mr. Stevens, slipping a hand in his host's arm,
and thus linked together they made their way out of the room.
Scarcely had their hilarious voices died away when a muscular brown hand
parted the hangings of an open window, and Geoffrey Ravenslee climbed
into the room. His rough clothes and shabby hat were powdered with dust,
and he looked very much out of place amid his luxurious surroundings as
he paused to glance swiftly from the bottles that decorated the carved
mantel to those on table and piano. Then, light-treading, he crossed the
room, and as the hilarious three were heard approaching, vanished in his
turn.
"'Ere we are, Jubilee Port!" exclaimed Mr. Brimberly, setting down two
cobwebbed bottles with elaborate care, "obleege me with the corkscrew,
somebody."
"Won't forget as you promised us a song, Brim!" said Mr. Jenkins,
passing the necessary implement.
"Oh, I won't disappoint ye," answered Mr. Brimberly, drawing the cork
with a practised hand; "my father were a regular songster, a fair
carollin' bird 'e were, sir."
"'Ow about 'Knocked 'em in the Old Kent Road'?" Mr. Stevens suggested.
"Sir!" exclaimed Mr. Brimberly, pausing in the act of filling the
glasses, "that's rather a--a low song, ain't it? What do you think, Mr.
Jenkins?"
"Low?" answered Mr. Jenkins, "it's as low as--as mud, sir. I might say
it's infernal vulgar--what?"
"Why, I don't care for it myself," Mr. Stevens admitted rather humbly,
"it was merely a suggestion."
Public-domain text, read in full here on John Shaqi.
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