The Definite Object: A Romance of New YorkFarnol, Jeffery
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The Definite Object: A Romance of New York
Farnol, Jeffery
New York (N.Y.) -- Fiction
"Ah!" said Mrs. Bowker, looking up at him with a faded smile, "Hazel
told me you had a pretty voice, sir, an' I guess I know what she meant.
She sets out on the stairs when she's well enough an' has often seen
ye."
"Hermy, dear, come t' me--oh, Hermy dear!" called the little voice.
"Yes, go in, my dear, you know y' way, I guess," sighed Mrs. Bowker,
passing a small, worn hand across her faded eyes. "There's five dozen
more collar-bands I must stitch an' buttonhole t'night--so go your ways,
my dear." So saying, Mrs. Bowker went back to her labour, which was very
hard labour indeed, while Hermione led the way into a tiny room, where,
on a small, neat truckle-bed covered by a faded quilt, a small, pale
child lay fading fast. But at sight of her visitors, two big, brown eyes
grew bigger yet, and her pale, thin little cheeks flushed eagerly.
"Oh, Hermy dear!" she cried, clasping frail hands, "oh, Hermy, you've
brought him--you've brought me our fairy prince at last!"
Now what was there in these childish words to cause Hermione's eyes to
droop so suddenly as she took the bottle from Ravenslee's hand, or her
rounded cheek to flush so painfully as she stooped to meet the child's
eager kiss, or, when she turned away to measure a dose of the medicine,
to be such an unconscionable time over it? Observing all of which,
Ravenslee forthwith saluted the small invalid with a grave bow, battered
hat gracefully flourished.
"It is truly an honour to meet you, princess!" said he, and lifting the
child's frail little hand, he touched it to his lips. Thereafter,
obeying the mute appeal of that hand, he seated himself upon the narrow
bed, while Hermione, soft-voiced and tender, bent above the invalid,
who, having obediently swallowed her medicine, leaned back on her pillow
and smiled from one to the other.
"And now," said she, drawing Hermione down at her other side and
snuggling between, "now please let's all tell some more fairy tale; an'
please, you begin, Hermy, just where you had t' leave off last time."
"Why, I--I'm afraid I've forgotten, dear," said Hermione, bending to
smooth the child's pillow.
"Forgotten--oh, Hermy! But I 'member quite well; you got where poor
Princess Nobody was climbing the mountain very tired an' sad an'
carrying her heavy pack, an' all at once--along came the Prince an'
took her heavy bundle and said he'd love to carry it for her always if
she'd let him. An' poor Nobody knew he was the real Prince at last--the
Prince she'd dreamed of an' waited for all her life, 'cos he'd got grey
eyes so brave an' true--an' he was so big an' strong an' noble. So he
helped her to the top of the mountain, an' then she thought at last she
could see the beautiful City of Perhaps. That's where you got to--don't
you 'member, Hermy dear?"
Now why should Hermione's shapely head have drooped and drooped until
at last her face was hidden on the pillow? And why should Geoffrey
Ravenslee reach to touch the child's hair with hand so light and tender?
Public-domain text, read in full here on John Shaqi.
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