The Deipnosophists; or, Banquet of the Learned of Athenæus, Vol. 2 (of 3)Athenaeus, of Naucratis
Philosophy
The Deipnosophists; or, Banquet of the Learned of Athenæus, Vol. 2 (of 3)
Athenaeus, of Naucratis
Civilization, Greco-Roman; Dinners and dining -- Greece; Greece -- Social life and customs; Homosexuality -- Greece
_A._ Shall I describe to you the appearance first
O' the cup you speak of? Know, then, it was round;
Exceeding small; old, sadly broken too
About the ears; and all around the brim
Were carved letters.
_B._ Were there those nineteen
Engraved in gold,—To Jupiter the Saviour?[60]
_A._ Those, and no others.
And we have seen a lettered cup of this kind lying at Capua in
Campania, in the temple of Diana; covered with writing taken from the
poems of Homer, and beautifully engraved; having the verses inlaid
in golden characters, like the drinking-cup of Nestor. And Achæus
the tragic poet, in his Omphale, himself also represents the Satyrs
speaking in the following manner about a lettered drinking-cup—
And the god's cup long since has call'd me,
Showing this writing,—delta, then iota,
The third letter was omega, then nu,
Then u came next, and after that a sigma
And omicron were not deficient.
But in this passage we want the final υ which ought to have ended the
word. Since all the ancients used the omicron not only with the power
which it has now, but also when they meant to indicate the diphthong
ου they wrote it by ο only. And they did the same when they wished to
write the vowel ε, whether it is sounded by itself, or when they wish
to indicate the diphthong ει by the addition of iota. And accordingly,
in the above-cited verses, the Satyrs wrote the final syllable of the
genitive case Διονύσου with ο only; as being short to engrave: so
that we are in these lines to understand the final upsilon, so as to
make the whole word Διονύσου. And the Dorians called sigma san; for
the musicians, as Aristoxenus often tells us, used to avoid saying
sigma whenever they could, because it was a hard-sounding letter, and
unsuited to the flute; but they were fond of using the letter rho,
because of the ease of pronouncing it. And the horses which have the
letter Σ branded on them, they call samphoras. Aristophanes, in his
Clouds, says—
Neither you, nor the carriage-horse, nor samphoras.
And Pindar says—
Before long series of songs were heard,
And the ill-sounding san from out men's mouths.
And Eubulus also, in his Neottis, speaks of a lettered cup as being
called by that identical name, saying—
_A._ Above all things I hate a letter'd cup,
Since he, my son, the time he went away,
Had such a cup with him.
_B._ There are many like it.
31. There is a kind of cup also called gyala. Philetas, in his
Miscellanies, says that the Megarians call their cups gyalæ. And
Parthenius, the pupil of Dionysius, in the first book of his
Discussions upon Words found in the Historians, says—"The gyala is a
kind of drinking-cup, as Marsyas the priest of Hercules writes, where
he says, 'Whenever the king comes into the city, a man meets him
having a cup (γυάλην) full of wine; and the king takes it, and pours a
libation from it.'"
Public-domain text, read in full here on John Shaqi.
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