There was also a reaper's song called Lityerses; and another song sung by hired servants when going to the fields, as Teleclides tells us in his Amphictyons. There were songs, too, of bathing men, as we learn from Crates in his Deeds of Daring; and a song of women baking, as Aristophanes intimates in his Thesmophoriazusæ, and Nicochares in his Hercules Choregus. And another song in use among those who drove herds, and this was called the Bucoliasmus. And the man who first invented this species of song was Diomus, a Sicilian cowherd; and it is mentioned by Epicharmus in his Halcyon, and in his Ulysses Shipwrecked. The song used at deaths and in mourning is called Olophyrmus; and the songs called Iouli are used in honour of Ceres and Proserpine. The song sung in honour of Apollo is called Philhelias, as we learn from Telesilla; and those addressed to Diana are called Upingi. There were also laws composed by Charondas, which were sung at Athens at drinking parties; as Hermippus tells us in the sixth book of his treatise on Lawgivers. And Aristophanes, in his catalogue of Attic Expressions, says—"The Himæus is the song of people grinding; the Hymenæus is the song used at marriage-feasts; and that employed in lamentation is called Ialemus. But the Linus and the Ælinus are not confined to occasions of mourning, but are in use also in good fortune, as we may gather from Euripides." 11. But Clearchus, in the first book of his treatise on matters relating to Love, says that there was a kind of song called Nomium, derived from Eriphanis; and his words are these:—"Eriphanis was a lyric poetess, the mistress of Menalcas the hunter; and she, pursuing him with her passions, hunted too. For often frequenting the mountains, and wandering over them, she came to the different groves, equalling in her wanderings the celebrated journeys of Io; so that not only those men who were most remarkable for their deficiency in the tender passion, but even the fiercest beasts, joined in weeping for her misfortunes, perceiving the lengths to which her passionate hopes carried her. Therefore she wrote poems; and when she had composed them, as it is said, she roamed about the desert, shouting and singing the kind of song called Nomium, in which the burden of the song is— The lofty oaks, Menalcas."