The Deipnosophists; or, Banquet of the Learned of Athenæus, Vol. 3 (of 3)Athenaeus, of Naucratis
Philosophy
The Deipnosophists; or, Banquet of the Learned of Athenæus, Vol. 3 (of 3)
Athenaeus, of Naucratis
Civilization, Greco-Roman; Dinners and dining -- Greece; Greece -- Social life and customs; Homosexuality -- Greece
Sup on white congers, and whatever else
Can boast a sticky nature; for by such food
The breath is strengthen'd, and the voice of man
Is render'd rich and powerful.
And as there was great applause on this, and as every one with one
accord called to him to come in, he went in and drank, and taking the
lyre, sang to us in such a manner that we all marvelled at his skill on
the harp, and at the rapidity of his execution, and at the tunefulness
of his voice; for he appeared to me to be not at all inferior to that
ancient Amœbeus, whom Aristeas, in his History of Harp-players, speaks
of as living at Athens, and dwelling near the theatre, and receiving an
Attic talent a-day every time he went out singing.
18. And while some were discussing music in this manner, and others
of the guests saying different things every day, but all praising
the pastime, Masurius, who excelled in everything, and was a man of
universal wisdom, (for as an interpreter of the laws he was inferior
to no one, and he was always devoting some of his attention to music,
for indeed he was able himself to play on some musical instruments,)
said,—My good friends, Eupolis the comic poet says—
And music is a deep and subtle science,
And always finding out some novelty
For those who're capable of comprehending it;
on which account Anaxilas, in his Hyacinthus, says—
For, by the gods I swear, music, like Libya,
Brings forth each year some novel prodigy;
[Sidenote: MUSIC.]
for, my dear fellows, "Music," as the Harp-player of Theophilus says,
"is a great and lasting treasure to all who have learnt it and know
anything about it;" for it ameliorates the disposition, and softens
those who are passionate and quarrelsome in their tempers. Accordingly,
"Clinias the Pythagorean," as Chamæleon of Pontus relates, "who was
a most unimpeachable man both in his actual conduct and also in
his disposition, if ever it happened to him to get out of temper or
indignant at anything, would take up his lyre, and play upon it. And
when people asked him the reason of this conduct, he used to say, 'I am
pacifying myself.' And so, too, the Achilles of Homer was mollified by
the music of the harp, which is all that Homer allots to him out of the
spoils of Eetion,[70] as being able to check his fiery temper. And he
is the only hero in the whole Iliad who indulges in this music."
Public-domain text, read in full here on John Shaqi.
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