The Deliverance: A Romance of the Virginia Tobacco FieldsGlasgow, Ellen Anderson Gholson
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The Deliverance: A Romance of the Virginia Tobacco Fields
Glasgow, Ellen Anderson Gholson
Tobacco farmers -- Fiction; Virginia -- Fiction
The last words came in a sudden spurt, for, feeling his
artificial courage ooze out of him, the boy had started in a run
from the room. He had barely crossed the threshold, however, when
Fletcher reached out with a strong grip and pulled him back,
swinging him slowly round until the two stood face to face.
"Now, here's one thing flat," said the man in a husky voice, if I
ever see or hear of you opening your mouth to that rascal again,
I'll thrash you until you haven't a sound bone in your body.
You'd better go up now and say your prayers."
As he released his grasp, the boy struck out at him with a
nerveless gesture and then shot like an arrow through the hall
and out into the twilight. At the moment his terror of Fletcher
was forgotten in the paroxysm of his anger. Short sobs broke from
him as he ran, and presently his breath came in pants like those
of an overdriven horse; but still, without slackening his pace,
he sped on to the old ice-pond and then wheeled past the turning
into the sunken road. Not until he had reached the long gate
before the Blake cottage did he stop short suddenly and stand,
grasping his moist shirt collar, in an effort to quiet his
convulsed breathing.
The hounds greeted him with a single bay, and at the noise
Cynthia came out upon the porch and then down into the gravelled
path between the old rose-bushes.
"What do you wish?" she demanded stiffly, standing severe and
erect in her faded silk.
"I must speak to Christopher--I must!" gasped the boy, breathing
hard. "I am going away tomorrow, and this is my last chance."
"Well, he's in the stable, I believe," replied Cynthia coolly.
"If you want him, you must go there to look for him, and be sure
not to make a noise when you pass the house." Then, as he darted
away, her eyes followed him with a weary aversion.
Will passed the kitchen and the woodpile and, turning into a
little path that led from the well, came to the open door of the
rudely built stable. A dim light fell in a square across the
threshold, and looking inside he saw that a lantern was hanging
from a nail above the nearest stall and that within the circle of
its illumination Christopher was busily currying the old gray
mare.
At the boy's entrance he paused for an instant, glanced
carelessly over the side of the stall, and then went on with his
work.
"Playing night-owl, eh?" he remarked indifferently. "There's no
rubbing-down for you to do, I reckon."
"There's a darn sight worse," returned the boy, throwing out the
oath with a conscious swagger as he braced himself against the
ladder that ran up to the loft.
His tone arrested Christopher's hand, and, lifting his head, the
young man stood attentively regarding him, one arm lying upon the
broad back of the old mare.
"Why, what's up now?" he questioned with a smile. Some fine
chaff, which he had brought down from the loft, still clung to
his hair and clothes and darkened his upper lip like a mustache.
Public-domain text, read in full here on John Shaqi.
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