The Deliverance: A Romance of the Virginia Tobacco FieldsGlasgow, Ellen Anderson Gholson
General
The Deliverance: A Romance of the Virginia Tobacco Fields
Glasgow, Ellen Anderson Gholson
Tobacco farmers -- Fiction; Virginia -- Fiction
Returning in a quarter of an hour, he threw a small feather-bed
down upon the straw and settled the boy comfortably upon it. Then
he covered him with blankets, and, after closing the door, came
back and stood watching for him to fall asleep. A slight draft
blew from the boarded window, and, taking off his coat, he hung
it carefully across the cracks, shading the lantern with his hand
that its light might not flash in the sleeper's face.
At his step Will gave a stifled moan and looked up in terror.
"I thought you'd left me. Don't go," he begged, stretching out
his hand until it grasped the other's. With the hot, nerveless
clutch upon him, Christopher was conscious of a quick repulsion,
and he remembered the sensation he had felt as a boy when he had
once suddenly brought his palm down on a little green snake that
was basking in the sunshine on an old log. Yet he did not shake
the hand off, and when presently the blanket slipped from Will's
shoulders he stooped and replaced it with a strange gentleness.
The disgust he felt was so evenly mingled with compassion that,
as he stood there, he could not divide the one emotion from the
other. He hated the boy's touch, and yet, almost in spite of
himself, he suffered it.
"Well, I'm not going, so you needn't let that worry you," he
replied. "I'll stretch myself alongside of you in the straw, and
if you happen to want me, just yell out, you know."
The weak fingers closed tightly about his wrist.
"You promise?" asked the boy.
"Oh, I promise," answered the other, raising the lantern for a
last look before he blew it out.
By early daybreak Will's condition was still more alarming, and
leaving him in a feverish stupor upon the pallet, Christopher set
out hurriedly shortly after sunrise to carry news of the boy's
whereabouts to Fletcher.
It was a clear, cold morning, and the old brick house, set midway
of the autumn fields, appeared, as he approached it, to reflect
the golden light that filled the east. Never had the place seemed
to him more desirable than it did as he went slowly toward it
along the desolate November roads. The somber colours of the
landscape, the bared majesty of the old oaks where a few leaves
still clung to the topmost boughs, the deserted garden filled
with wan specters of summer flowers, were all in peculiar harmony
with his own mood as with the stern gray walls wrapped in naked
creepers. That peculiar sense of ownership was strongly with him
as he ascended the broad steps and lifted the old brass knocker,
which still bore the Blake coat of arms.
To his astonishment the door opened instantly and Fletcher
himself appeared upon the threshold. At sight of Christopher he
fell back as if from a blow in the chest, ripping out an oath
with a big downward gesture of his closed fist.
"So you are mixed up in it, are you! Whar's the boy?" From the
dusk of the hall his face shone dead white about the eyes.
Public-domain text, read in full here on John Shaqi.
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