The Deliverance: A Romance of the Virginia Tobacco FieldsGlasgow, Ellen Anderson Gholson
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The Deliverance: A Romance of the Virginia Tobacco Fields
Glasgow, Ellen Anderson Gholson
Tobacco farmers -- Fiction; Virginia -- Fiction
"No, I'll look them up out there," said Christopher, resisting
the invitation to enter. "I want to get a pair of horseshoes from
Jim; the gray mare cast hers yesterday, and Dick Boxley is laid
up with a sprained arm. Oh, no, thanks; I must be going back."
With a friendly nod he turned from the steps and went rapidly
along the path which led to the distant barn.
As Mrs. Weatherby had said, the place was like the bowl of a
pipe, and it was a moment before Christopher discovered the
little group gathered about the doorway, where a shutter hung
loosely on wooden hinges.
The ancient custom of curing tobacco with open fires, which had
persisted in Virginia since the days of the early settlers, was
still commonly in use; and it is possible that had one of
Christopher's colonial ancestors appeared at the moment in Jacob
Weatherby's log barn it would have been difficult to convince him
that between his death and his resurrection there was a lapse of
more than two hundred years. He would have found the same square,
pen-like structure, built of straight logs carefully notched at
the corners; the same tier-poles rising at intervals of three
feet to the roof; the same hewn plates to support the rafters;
the same "daubing" of the chinks with red clay; and the same
crude door cut in the south wall. From the roof the tobacco hung
in a fantastic decoration, shading from dull green to deep
bronze, and appearing, when viewed from the ground below, to
resemble a numberless array of small furled flags. On the hard
earth floor there were three parallel rows of "unseasoned" logs
which burned slowly day and night, filling the barn with gray
smoke and the pungent odour of the curing tobacco.
"It takes a heap of lookin' arter, an' no mistake," old Jacob was
remarking, as he surveyed the fine crop with the bland and easy
gaze of ownership. "Why, in a little while them top leaves thar
will be like tinder, an' the first floatin' spark will set it all
afire. That's the way Sol Peterkin lost half a crop last year,
an' it's the way Dick Moss lost his whole one the year before."
At Christopher's entrance he paused and turned his pleasant,
ruddy face from the fresh logs which he had been watching. "So
you want to have a look at my tobaccy, too?" he added, with the
healthful zest of a child. "Well, it's worth seein', if I do say
so; thar hasn't been sech leaves raised in this county within the
memory of man."
"That's so," said Christopher, with an appreciative glance. "I'm
looking for Jim, but he's keeping up the fires, isn't he?" Then
he turned quickly, for Tom Spade, who with young Matthew Field
had been critically weighing the promise of Jacob's crop, broke
out suddenly into a boisterous laugh.
"Why, I declar', Mr. Christopher, if you ain't lost yo' shadow!"
he exclaimed.
Public-domain text, read in full here on John Shaqi.
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