The Deliverance: A Romance of the Virginia Tobacco FieldsGlasgow, Ellen Anderson Gholson
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The Deliverance: A Romance of the Virginia Tobacco Fields
Glasgow, Ellen Anderson Gholson
Tobacco farmers -- Fiction; Virginia -- Fiction
Taking a dime from his pocket, he tossed it lightly in the air
and waited for it to fall.
"Heads for me, tails for Fletcher."
The coin spun for an instant in the gloom above him and then
dropped noiselessly to the floor. When he lifted the lantern and
bent over it he saw that the head lay uppermost.
CHAPTER VIII. In Which Christopher Triumphs
When he entered the house a little later Cynthia met him in the
kitchen doorway with an anxious frown.
"I heard a noise, Christopher. What was it?"
"A man wanted me about something. How is mother resting?"
"Not well. Her dreams trouble her. She grows weaker every day,
and the few hours she insists upon spending in her chair tire her
dreadfully."
"There is nothing that she needs, you say?"
"No; nothing. She has never felt our poverty for an instant."
The furrow between his eyebrows grew deeper.
"And you?" he asked abruptly, regarding her fixedly with his
intent gaze. "What under heaven are you up to at this hour?"
Glancing down at the ironing-board before her, she flushed
painfully through the drawn grayness of her face.
"I had a little ironing to do," she answered, "and I wanted it
all finished to-night. Mother needs me in the day."
Pushing her aside, he seized the iron and ran it in a few hasty
strokes over the rough-dry garment which she had spread on the
board. "Go to bed and leave these things alone," he insisted.
"Oh, Christopher, you'll spoil it!" cried Cynthia, clutching his
arm.
He returned the iron to the stand and met her reproachful look
with a gesture of annoyance. "Well, I'm going to sleep, if you
aren't," he said, and treading as lightly as possible in his
heavy boots, went along the little platform and upstairs to his
garret room.
Once inside, he undressed hastily and flung himself upon the bed,
but his thoughts spun like a top, and wild visions of Will, of
Fletcher, and of Molly Peterkin whirled confusedly through his
brain. When at last he lost consciousness for a time, it was to
dream restlessly of the cry of a hare that the hounds had caught
and mangled. The scream of the creature came to him from a thick
wood, which was intersected by innumerable small green paths, and
when he tried vainly to go to the rescue he lost himself again
and again in the wilderness of trails. Back and forth he turned
in the twilight, crushing down the underbrush and striking in a
frenzy at the forked boughs the trees wrapped about him, while
suddenly the piteous voice became that of a woman in distress.
Then, with a great effort, he fought his way through the wood, to
see the mangled hare change slowly into Maria Fletcher, who
opened her eyes to ask him why he hunted her to death.
He awoke in a cold sweat, and, sitting up in bed, leaned for air
toward the open window. A dull ache gnawed at his heart, and his
lips were parched as if from fever. Again it seemed to him that
Maria entreated him across the distance.
Public-domain text, read in full here on John Shaqi.
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