The Deliverance: A Romance of the Virginia Tobacco FieldsGlasgow, Ellen Anderson Gholson
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The Deliverance: A Romance of the Virginia Tobacco Fields
Glasgow, Ellen Anderson Gholson
Tobacco farmers -- Fiction; Virginia -- Fiction
Maria, was feeding Agag on the hearth, and she waited until he
had finished before she took up her hat and wraps and went toward
the door. "Oh, you needn't bother to light me," she said, waving
Miss Saidie back when she would have followed. "Why, I could find
my way over this house at midnight without a candle." Then, with
a cheerful "Goodnight," she called Agag and went up the dusky
staircase.
A wood fire was burning in her room, and she stood for a moment
looking pensively into the flames, a faint smile sketched about
her mouth. Then throwing off her black dress in the desire for
freedom, she clasped her hands above her head and paced slowly up
and down the shadowy length of the room. In the flowing measure
of her walk; in the free, almost defiant, movement of her
upraised arms; and in the ample lines of her throat and bosom,
which melted gradually into the low curves of her hips, she might
have stood for an incarnation of vital force. One felt
instinctively that her personality would be active rather than
passive--that the events which she attracted to herself would be
profoundly emotional in their fulfilment.
Notwithstanding the depressing hour she had just passed, and the
old vulgarity which had shocked her with a new violence, she was
conscious, moving to and fro in the shadows, of a strange
happiness--of a warmth of feeling which pervaded her from head to
foot, which fluttered in her temples and burned like firelight in
her open palms. The place was home to her, she realised at last,
and the surroundings of her married life--the foreign towns and
the enchanting Italian scenery--showed in her memory with a
distant and alien beauty. Here was what she loved, for here was
her right, her heritage--the desolate red roads, the luxuriant
tobacco fields, the primitive and ignorant people. In her heart
there was no regret for any past that she had known, for over the
wild country stretching about her now there hung a romantic and
mysterious haze.
A little later she was aroused from her reverie by Miss Saidie,
who came in with a lighted lamp in her hand.
"Don't you need a light, Maria? I never could abide to sit in the
dark."
"Oh, yes; bring it in. There, put it on the bureau and sit down
by the fire, for I want to talk to you. No, I'm not a bit tired;
I am only trying to fit myself again in this room. Why, I don't
believe you've changed a pin in the pincushion since I went
away."
Miss Saidie dusted the top of the bureau with her apron before
she placed the tall glass lamp upon it.
"Thar warn't anybody to stay in it," she answered, as she sat
down in a deep, cretonne-covered chair and pushed back the
hickory log with her foot. "I declare, Maria, I don't see what
you want to traipse around with that little poor-folksy yaller
dog for. He puts me in mind of the one that old blind nigger up
the road used to have."
"Does he?" asked Maria absently, in the voice of one whose
thoughts are hopelessly astray.
Public-domain text, read in full here on John Shaqi.
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