The Deliverance: A Romance of the Virginia Tobacco FieldsGlasgow, Ellen Anderson Gholson
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The Deliverance: A Romance of the Virginia Tobacco Fields
Glasgow, Ellen Anderson Gholson
Tobacco farmers -- Fiction; Virginia -- Fiction
She sighed impatiently and went back to the kitchen, while his
gaze travelled slowly along the wet gray road to the abandoned
ice-pond, and he thought of his meeting with Maria in the
darkness and of the light of the lantern shining on her face. He
remembered her white hands against her black dress, her fervent
eyes under the grave pallor of her brow, her passionate, kind
voice, and her mouth with the faint smile which seemed never to
fade utterly away. Love, which is revealed usually as a pleasant
disturbing sentiment resulting from the ordinary purposes of
life, had come to him in the form of a great regenerating force,
destroying but that it might rebuild anew.
CHAPTER VII. In Which Carraway Speaks the Truth to Maria
During the first week in April Carraway appeared at the Hall in
answer to an urgent request from Fletcher that he should, without
delay, put the new will into proper form.
On the morning after his arrival, Carraway had a long
conversation with the old man in his sitting-room, and when it
was over he came out with an anxious frown upon his brow and went
upstairs to the library which Maria had fitted up in the spare
room next her chamber. It was the pleasantest spot in the house,
he had concluded last evening, and the impression returned to him
as he entered now and saw the light from the wood fire falling on
the shining floor, which reflected the stately old furniture, and
the cushions, and the window curtains of faded green. Books were
everywhere, and he noticed at once that they were not the kind
read by the women whom he knew--big leather volumes on
philosophy, yellow-covered French novels, and curled edges of
what he took to be the classic poets. It was almost with relief
that he noticed a dainty feminine touch here and there--a work-
bag of flowered silk upon the sofa, a bowl of crocuses among the
papers on the old mahogany desk, and clinging to each bit of
well-worn drapery in the room a faint and delicate fragrance.
Public-domain text, read in full here on John Shaqi.
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