The Deliverance: A Romance of the Virginia Tobacco FieldsGlasgow, Ellen Anderson Gholson
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The Deliverance: A Romance of the Virginia Tobacco Fields
Glasgow, Ellen Anderson Gholson
Tobacco farmers -- Fiction; Virginia -- Fiction
"Oh, I'm afraid to wait--the ground dries so quickly. Jacob
Weatherby is going to set his out to-night, and I think I'll do
the same. There's a fine moon, and I shouldn't wonder if every
farmer in the county was in the fields till daybreak."
He ate his supper hurriedly, and then, taking down his hat, went
out to resume his work. At the door he had left his big split
basket of plants, and, slipping his arm through the handle, he
crossed the yard in the direction of the field. As he turned into
the little path which trailed in wet grass along the "worm"
fence, Jacob Weatherby came stepping briskly through the mud in
the road and stopped to ask him if he had got his ground ready
for the setting out. "I've been lookin' for hands myself," added
the old man in his cheery voice, "for I could find work for a
dozen men to-night, but to save my life I can't scrape up more'n
a nigger here an' thar. Bill Fletcher has been out ahead of me,
it seems."
"Well, I'll be able to help you to-morrow, I think," answered
Christopher. "I hope to get my own work done to-night." Then he
asked. with a trifling hesitation: "How is Lila's cold?"
A sudden light broke over old Jacob's face, and he nodded in his
genial fashion.
"Ah, bless her pretty eyes, I sometimes think she's too good to
put her foot down on this here common earth," he said, "an' to
think that only this mornin' she was wantin' to help Sarah wipe
the dishes. Why, I reckon Sarah would ruther work her fingers to
the bone than have that gal take a single dishcloth in her hand.
Oh, we know how to value her, Mr. Christopher, never fear. Her
word's law in our house, and always will be."
He passed on with his hearty chuckle, and Christopher followed
the wet path and began planting his tobacco plants in the small
holes he bored in the moist earth.
It was the most solemn hour of day, when the division between
light and darkness seems less a gradation than a sudden blur. A
faint yellow line still lingered across the western horizon, and
against it the belt of pines rose like an advancing army. The
wind, which blew toward him from the woods, filled his nostrils
with a spicy tang.
Slowly the moon rose higher, flooding the hollows and the low
green hills with light. In the outlying fields around the Hall he
saw Fletcher's planters at work in the tobacco, each man so
closely followed by his shadow that it was impossible at a little
distance to distinguish the living labourer from his airy double.
All the harsh irregularities of the landscape were submerged in a
general softness of tone, and the shapes of hill and meadow, of
road and tree, of shrub and rock, were dissolved in a magical and
enchanting beauty.
Several hours had passed, and he had stopped to rest a moment
from his planting, when Maria came in the moonlight along the
road and paused breathlessly to lean upon the fence beneath the
locust tree.
Public-domain text, read in full here on John Shaqi.
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