The Deliverance: A Romance of the Virginia Tobacco FieldsGlasgow, Ellen Anderson Gholson
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The Deliverance: A Romance of the Virginia Tobacco Fields
Glasgow, Ellen Anderson Gholson
Tobacco farmers -- Fiction; Virginia -- Fiction
Towering almost grotesquely in the pallid dawn, Christopher came
and leaned above the sofa to which Will had dragged himself
again.
"You must get out of this," he said, "and quickly, for we've
wasted the whole night wrangling. Have you any money?"
Will fumbled in his pocket and brought out a few cents, which he
held in his open palm, while the other unlocked the drawer of the
old secretary and handed him a roll of banknotes.
"Take this and buy a ticket somewhere. It's the money I scraped
up to pay Fred Turner."
"To pay Fred Turner?" echoed Will, as if in that lay the
significance of the remark.
"Take it and buy a ticket, and when you get where you're going,
sit still and keep your mouth shut. If you wear a bold face you
will go scot--free; remember that; but everything depends upon
your keeping a stiff front. And now go--through the back door and
past the kitchen to the piece of woods beyond the pasture. Cut
through them to Tanner's Station and take the train there, mind,
for the North."
With a short laugh he held out his big, knotted hand.
"Good--by," he said, " and don't be a damned fool."
"Good--by," answered Will, clinging desperately to his
outstretched arm. Then an ashen pallor overspread his face, and
he slunk nervously toward the kitchen, for there was the sound of
footsteps on the little porch outside, followed by a brisk rap on
the front door.
"Go!" whispered Christopher, hardly taking breath, and he stood
waiting while Will ran along the wooden platform and past the
stable toward the pasture.
The rap came again, and he turned quickly. "Quit your racket and
let me get on my clothes!" he shouted, and hesitated a little
longer.
As he stood alone there in the center of the room, his eyes,
traversing the walls, fell on the portrait of Bolivar Blake, and
with one of the fantastic tricks of memory there shot into his
head the dying phrase of that gay sinner: "I may not sit with the
saints, but I shall stand among the gentlemen."
"Precious old ass!" he muttered, and unbarred the door.
As he flung it open the first rays of sunlight splashed across
the threshold, and he was conscious, all at once, of a strange
exhilaration, as if he were breasting one of the big waves of
life.
"This is a pretty way to wake up a fellow who has been planting
tobacco till he's stiff," he grumbled. "Is that you, Tom?" He
glanced carelessly round, nodding with a kind of friendly
condescension to each man of the little group. "How are you,
Matthew? Hello, Fred!"
Tom drew back, coughing, and scraped the heel of his boot on the
topmost step.
"We didn't mean to git you out of bed, Mr. Christopher," he
explained apologetically, "but the truth is we want Will Fletcher
an' he ain't at home. The old man's murdered, suh."
Public-domain text, read in full here on John Shaqi.
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