The Deliverance: A Romance of the Virginia Tobacco FieldsGlasgow, Ellen Anderson Gholson
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The Deliverance: A Romance of the Virginia Tobacco Fields
Glasgow, Ellen Anderson Gholson
Tobacco farmers -- Fiction; Virginia -- Fiction
"What I mean doesn't matter," he answered irritably, and added,
"I
wish to God you were anybody else!" At this she turned and faced
him squarely as he held the rails. "But how can I help being
myself?" she demanded. "You can't, and there's an end of it." "Of
what?" "Oh, of everything--and most of all of the evening at the
cross-roads." "You saw me then?" she asked. "You know I did," he
answered, retreating into his rude simplicity. "And you liked me
then?"
"Then," he laughed, "why, I was fool enough to dream of you for a
month afterward." "How dare you!" she cried. "Well, I shan't do
it again," he assured her insolently. "You can't possibly dislike
me any more than I do you," she remarked, drawing back step by
step. "You're a savage, and a mean one at that--but all the same,
I should like to know why you began to hate me." He laid the
topmost rail along the fence and turned away. "Ask your
grandfather!" he called back, as he passed into the tobacco
field, with her fragrance still in his nostrils.
Maria, on the other side, walked slowly homeward along the new
road that had ended so abruptly. Her lip trembled, and, letting
her skirt drag in the dust, she put up her hand to suppress the
first hint of emotion. It angered her that he had had the power
to provoke her so, and for the moment the encounter seemed to
have bereft her of her last shreds of womanly reserve. It was as
if a strong wind had blown over her, laying her bosom bare, and
she flushed at the knowledge that he had heard the fluttering of
her breath and seen the indignant tears gather to her eyes--he a
boorish stranger who hated her because of her name. For the first
time in her life she had run straight against an impregnable
prejudice--had felt her feminine charm ineffectual against a
stern masculine resistance. She was at the age when the
artificial often outweighs the real--when the superficial manner
with a woman is apt to be misunderstood, and so to her
Christopher Blake now appeared stripped even of his physical
comeliness; the interview had left her with an impression of mere
vulgar incivility. As she entered the house she met Fletcher
passing through the hall with the mail-bag in his hand, and a
little later, while she sat in a big chair by her chamber window,
Miss Saidie came in and laid a letter in her lap. "It's from Mr.
Wyndham, I think, Maria. Shall I light a candle?" "Not yet; it is
so warm I like the twilight." "But won't you read the letter?"
"Oh, presently. There's time enough." Miss Saidie came to the
window and leaned out to sniff the climbing roses, her shapeless
figure outlined against the purple dusk spangled with fireflies.
Her presence irritated the girl, who stirred restlessly in her
chair. "Is he coming, Maria, do you think?"
Public-domain text, read in full here on John Shaqi.
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