The Deliverance: A Romance of the Virginia Tobacco FieldsGlasgow, Ellen Anderson Gholson
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The Deliverance: A Romance of the Virginia Tobacco Fields
Glasgow, Ellen Anderson Gholson
Tobacco farmers -- Fiction; Virginia -- Fiction
"There's no other way," pursued Cynthia, without noticing him.
"Surely, it is better than having her turned out in her old
age--surely, anything is better than that. We can take the ring
to-night after she goes to bed, and pry the diamond from the
setting; it is held only by gold claws, you know. Then we will
put in it the piece of purple glass from Docia's wedding
ring--the shape is the same; and she will never find it out. Oh,
mother! mother!"
"I can't, "returned Christopher stubbornly; "it is like robbing
her, and she so blind and helpless. I cannot do it."
"Then I will," said Cynthia quietly, and, turning from him, she
walked rapidly to the house.
Later that night, when he had gone up to his little garret loft,
she came to him with the two rings in her outstretched hand--the
superb white diamond and the common purple setting in Docia's
brass hoop.
"Lend me your knife," she said, kneeling beside the smoky oil
lamp; and without a word he drew his claspknife from his pocket,
opened the blade, and held the handle toward her. She took it
from him, and then knelt motionless for an instant looking at the
diamond, which shone like a star in her hollowed palm. Presently
she stooped and kissed it, and then taking the fine point of the
blade, carefully pried the gold claws back from the imprisoned
stone.
"She has worn it for fifty years," she said softly, seeing the
jewel contract and give out a deeper flame to her misty eyes.
"It is robbery," he protested.
"It is robbery for her sake!" she flashed out angrily.
"All the same, it seems bitterly cruel."
With deft fingers she removed the bit of purple glass from
Docia's ring and inserted it between the gold claws, which she
pressed securely down. "To the touch there is no difference," she
said, closing her eyes. "She will never know."
Rising from her knees, she gazed steadily at the loosened diamond
lying in her hand; then, wrapping it in cotton, she placed it in
a little wooden box from a jeweller of fifty years ago. "You must
get up to-morrow and take it to town," she went on. "Carry it to
Mr. Withers--he knows us. There is no other way," she added
hastily.
"There is no other way, I know," he repeated, as he held out his
hand.
"And you'll be back after sundown."
"Not until night. I shall walk over from the cross-roads."
For a time they were both silent, and he, walking to the narrow
window, looked out into the moist darkness. The smell of the oil
lamp oppressed the atmosphere inside, and the damp wind in his
face revived in a measure his lowered spirits. He seemed suddenly
able to cope with life--and with Fletcher.
Public-domain text, read in full here on John Shaqi.
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