Love stories; New York (N.Y.) -- Fiction; Speculation -- Fiction; Wall Street (New York, N.Y.) -- Fiction
“Ruined?” I said to Joe, easily enough. “Not at all. We're back in the
road, going smoothly ahead--only, at a bit less stiff a pace. Think, Joe,
of all those poor devils down in the mining districts. They're out--clear
out--and thousands of 'em don't know where their families will get bread.
And though they haven't found it out yet, they've got to leave the place
where they've lived all their lives, and their fathers before them--have
got to go wandering about in a world that's as strange to them as the
surface of the moon, and as bare for them as the Sahara desert.”
“That's so,” said Joe. “It's hard luck.” But I saw he was thinking only of
himself and his narrow escape from having to give up his big house and all
the rest of it; that, soft-hearted and generous though he was, to those
poor chaps and their wives and children he wasn't giving a thought.
Wall Street never does--they're too remote, too vague. It deals with
columns of figures and slips of paper. It never thinks of those
abstractions as standing for so many hearts and so many mouths, just as the
bank clerk never thinks of the bits of metal he counts so swiftly as money
with which things and men could be bought. I read somewhere once that
Voltaire--I think it was Voltaire--asked a man what he would do if, by
pressing a button on his table, he would be enormously rich and at the
same time would cause the death of a person away off at the other side of
the earth, unknown to him, and probably no more worthy to live, and with
no greater expectation of life or of happiness than the average sinful,
short-lived human being. I've often thought of that as I've watched our
great “captains of industry.” Voltaire's dilemma is theirs. And they don't
hesitate; they press the button. I leave the morality of the performance to
moralists; to me, its chief feature is its cowardice, its sneaking, slimy
cowardice.
“You've done a grand two hours' work,” said Joe.
“Grander than you think,” replied I. “I've set the tiger on to fight the
bull.”
“Galloway and Roebuck?”
“Just that,” said I. And I laughed, started up, sat down again. “No, I'll
put off the pleasure,” said I. “I'll let Roebuck find out, when the claws
catch in that tough old hide of his.”
XXVII. A CONSPIRACY AGAINST ANITA
Public-domain text, read in full here on John Shaqi.
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