The Deluge: An Historical Novel of Poland, Sweden, and Russia. Vol. 2Sienkiewicz, Henryk
History
The Deluge: An Historical Novel of Poland, Sweden, and Russia. Vol. 2
Sienkiewicz, Henryk
Historical fiction; Poland -- History -- John II Casimir, 1648-1668 -- Fiction
The shout became general; then there was silence, and all heads were
turned in the direction from which the chambul was to come. Now
piercing music was heard in the distance, the crowds began to open from
the middle of the street toward the walls of the houses, and from the
end appeared the first Tartar horsemen.
“See! they have a band even; that is uncommon with Tartars!”
“They wish to make the best impression,” said Pan Yan; “but still some
chambuls after they have lived long in camp, have their own musicians.
That must be a choice body.”
Meanwhile the horsemen had come up and begun to ride past. In front on
a pied horse sat a Tartar holding two pipes in his mouth, and as tawny
as if he had been dried and smoked. Bending his head backward and
closing his eyes, he ran his fingers over those pipes, obtaining from
them notes squeaking, sharp, and so quick that the ear could barely
catch them. After him rode two others holding staffs furnished at the
ends with brass rattles, and they were shaking these rattles as if in
frenzy; farther back some were making shrill sounds with brass plates,
some were beating drums, while others were playing in Cossack fashion
on teorbans; and all, with the exception of the pipers were singing, or
rather howling, from moment to moment, a wild song, at the same time
showing their teeth and rolling their eyes. After that chaotic music,
which went like a brawl past the dwellers in Lvoff, clattered horses
four abreast; the whole party was made up of about four hundred men.
This was in fact a chosen body, as a specimen, and to do honor to the
King of Poland, for his own use, and as an earnest sent by the Khan.
They were led by Akbah Ulan, of the Dobrudja, therefore of the
sturdiest Tartars in battle, an old and experienced warrior, greatly
respected in the Uluses (Tartar villages), because of his bravery and
severity. He rode between the music and the rest of the party, dressed
in a shuba of rose-colored velvet, but greatly faded, and too narrow
for his powerful person; it was lined with tattered marten-skin, he
held in front of him a baton, like those used by Cossack colonels. His
red face had become blue from the cold wind, and he swayed somewhat on
his lofty saddle; from one moment to another he looked from side to
side, or turned his face around to his Tartars, as if not perfectly
sure that they could restrain themselves at sight of the crowds, the
women, the children, the open shops, the rich goods, and that they
would not rush with a shout at those wonders.
But they rode on quietly, like dogs led by chains and fearing the lash,
and only from their gloomy and greedy glances might it be inferred what
was passing in the souls of those barbarians. The crowds gazed on them
with curiosity, though almost with hostility, so great in those parts
of the Commonwealth was hatred of the Pagan. From time to time cries
were heard: “Ahu! ahu!” as if at wolves. Still there were some who
expected much from them.
Public-domain text, read in full here on John Shaqi.
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