The Demon Trapper of Umbagog: A Thrilling Tale of the Maine ForestsThompson, Daniel P. (Daniel Pierce)
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The Demon Trapper of Umbagog: A Thrilling Tale of the Maine Forests
Thompson, Daniel P. (Daniel Pierce)
Frontier and pioneer life -- Fiction; Maine -- Fiction; Trappers -- Fiction
And he did go, but not alone. As soon as Claud became fully satisfied
that his father’s purpose was not to be shaken, he began earnestly
to debate in mind the question whether he himself should not, as a
filial duty, become a participant in the expedition, with the view of
making his presence instrumental in averting the apprehended danger.
And, although he perceived that his mother’s distress, all troubled
and doubtful as she was in deciding between her conflicting duties
of affection, would be enhanced by the step; and, although his mind
had been still more staggered by a brief confidential note from Avis
Gurley, advising him, if not too late, to find means to break up the
project of the expedition entirely, yet he finally made up his mind in
the affirmative. And, accordingly, on the morning of the appointed day,
both father and son, after a leave-taking with the despondent wife and
mother, more ominously sad and mournful than had ever before marked
their family trials, set forth again for the wild wastes of the lakes,
with their now doubly questionable companion.
CHAPTER XVIII.
“But there was weeping far away;
And gentle eyes, for him,
With watching many an anxious day,
Were sorrowful and dim.”
BRYANT’S MURDERED TRAVELLER.
It was the second week in May; and spring, delightful spring, sweet
herald of happiness to all the living creatures that have undergone
the almost literal imprisonment of one of the long and dreary winters
of our hyperborean clime, was beginning to sprinkle the green glories
of approaching summer over the reänimated wilderness. In the physical
world, all seemed light and laughing around:
----“the green soil with joyous living things
Swarm’d, the wide air was full of joyous wings.”
The sun, no longer feebly struggling through the dark, obstructed
medium of a northern winter’s atmosphere, was throwing abroad his
clear, unstinted floods of living light, bathing with soft radiance the
diversified face of the basking forest, and gleaming far and brightly
over the soothed waters of the sleeping lake. The mild and genial
zephyrs were discoursing the low, sweet, melancholy music of their
æolian harps, among the gently-wavering tops of the whispering pines.
The choral throng of feathered songsters were filling every grove,
glade, or glen, of field and forest, with the glad strains of their
merry melodies. And all nature seemed crying aloud, in the fullness of
her happiness,
“The summer is coming; rejoice ye, rejoice!”
So smiled every thing, animate and inanimate, in the visible physical
world, as circumscribed to this secluded settlement, on the morning
when opened the first scene in the closing act of our story’s changeful
drama. But in the moral world, so far as the interests and feelings of
most of our leading personages were involved, the skies were overcast
with contrasted clouds of doubt and darkness.
Public-domain text, read in full here on John Shaqi.
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