The Demon Trapper of Umbagog: A Thrilling Tale of the Maine ForestsThompson, Daniel P. (Daniel Pierce)
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The Demon Trapper of Umbagog: A Thrilling Tale of the Maine Forests
Thompson, Daniel P. (Daniel Pierce)
Frontier and pioneer life -- Fiction; Maine -- Fiction; Trappers -- Fiction
“No, ’tis nothing. You see, I have brought round for our use my best
birch bark canoe. I have rowed her fifty miles a day round the lakes
many a time. We shall bound over the lake in almost no time, and the
rapids, which are the only drawback, can soon be surmounted, by oar or
setting-pole, or, what may be cheapest, carrying the canoe round those
most difficult of passage. The boat does not weigh an hundred. I could
travel with it a mile on my head, as fast as you would wish to walk
without a pound of luggage. So, in with you, and I’ll show you how it
is done.”
Accordingly they launched forth in their primitive craft, which, as
before intimated, was the once noted birch bark canoe built by the
hunter agreeably to the exact rules of Indian art. Few, who have never
seen and observed the process of constructing this canoe, which, for
thousands of years before the advent of the white man, was the only
craft used by the aborigines in navigating the interior waters, have
any idea how, from such seemingly fragile materials, and with no other
tools than a hatchet, knife, and perhaps a bone needle, the Indian can
construct a canoe so extremely light and at the same time so tough and
durable. In building his canoe, which is one of the greatest efforts
of his mechanical skill, the Indian goes to work systematically. He
first peels his bark from a middle-sized birch tree, and cuts it in
strips five or six inches wide, and twelve, fifteen, or twenty feet
long, according to the length and size of the designed canoe. He then
dries them thoroughly in the sun, after which he nicely scrapes and
smooths off the outside. He next proceeds to soak these strips, which
are thus made to go through a sort of tanning process, to render them
tough and pliable, as well as to obviate their liability to crack by
exposure to the sun. After the materials are thus prepared, he smooths
off a level piece of ground, and drives around the outside a line of
strong stakes, so that the space within shall describe the exact form
of the boat in contemplation. Inside of these stakes he places and
braces up the wet and pliable pieces of bark, beginning at the bottom
and building up and bending into form the sides and ends, till the
structure has attained the required height. In this situation it is
left till it is again thoroughly dried and all the pieces become fixed
in shape. A light inside framework is then constructed, resembling the
skeleton of a fish, and of dimensions to fit the canoe already put in
form in the manner we have described. The pieces of cured material are
then numbered and taken down; when the architect, beginning at the
bottom, lapping and sewing together the different pieces, proceeds
patiently in his work, till the sides are built, the ends closed nicely
up, and each piece lashed firmly to the framework, which, though of
surprising lightness, is made to serve as keel, knees, and ribs of the
boat. Every seam and crevice is then filled with melted pitch. The
Public-domain text, read in full here on John Shaqi.
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