The Demon Trapper of Umbagog: A Thrilling Tale of the Maine ForestsThompson, Daniel P. (Daniel Pierce)
General
The Demon Trapper of Umbagog: A Thrilling Tale of the Maine Forests
Thompson, Daniel P. (Daniel Pierce)
Frontier and pioneer life -- Fiction; Maine -- Fiction; Trappers -- Fiction
Accordingly he hastily headed round his canoe, and, hazardous as he
knew must be the experiment, sent it surging down the current after
his endangered young friends; for the one, as will soon appear, was no
less his favorite than the other. In the mean time, Claud, in swimming
over a sunken rock, luckily gained a foothold, which enabled him to
rise and plunge forward again with redoubled speed; and, so well-timed
and powerful were his exertions, that he came within reach of the
stern of the fugitive canoe just as it was whirling round sideways in
the reflux of the waves caused by the water dashing against a high
rock standing partly in the current. It was a moment of life or death,
both to the man and maiden; for the boat was on the point of going
broadside over the first fall into the wild and seething waters, seen
leaping and roaring in whirlpools and jets of foam among the intricate
passes of the ragged rocks below. Making sure of his grasp on the end
of the canoe that had been thus fortunately thrown within his reach,
the struggling Claud made an effort to draw it from the edge of the
abyss into which it was about to be precipitated; but, with his most
desperate exertions, he was barely enabled to keep it in position,
while his strength was rapidly giving way. The unequal contest was
quickly noticed by the hapless girl; and, after watching a moment,
with a troubled eye, the fruitless efforts and wasting strength of
the young man, she calmly rose to her feet, exhibiting, as she stood
upright in the boat, with the spray dashing over her marble forehead
and long flowing hair, in the faultless symmetry of her person, the
beautiful cast of her features, and the touching eloquence of her
speaking countenance, a figure which might well serve as a subject for
the pencil of the artist.
“Let go, brave stranger,” she cried, in clear, silvery tones, after
throwing a grateful and admiring glance down upon her gallant rescuer;
“let me go, and save yourself. I can die as befits a daughter of my
people.”
“Hold on, there, Claud! Courage, girl! I see a way to save you both,”
at that critical instant rang above the roar of the waters the sharp
voice of the hunter, who, with wonderful tact and celerity, had shot
down obliquely across the main current, out of it through a narrow side
pass, down that and round the intervening rocks, and was now driving
with main strength up another pass, abreast of the objects of his
anxiety. “There: now seize the head of my canoe, and hold on to both;
and, on your life, be quick!” he continued, shouting to the exhausted
young man, while he himself was struggling with all his might to get
and keep his boat in the right position among the battling currents.
Public-domain text, read in full here on John Shaqi.
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