The Depot for Prisoners of War at Norman Cross, Huntingdonshire. 1796 to 1816Walker, Thomas (Thomas James)
History
The Depot for Prisoners of War at Norman Cross, Huntingdonshire. 1796 to 1816
Walker, Thomas (Thomas James)
France -- History -- 1789-1815; Norman Cross depot; Prisoners of war
The straw undoubtedly was bought from outside, and there can be no doubt
that what applied to this “raw product” applied to other material and to
tools necessary for the production of the works, by the sale of which we
have Commissioner Serle’s authority for the prevalent opinion that within
a few years of their confinement many of the prisoners had made one
hundred guineas.
The great speciality of the Norman Cross prisoners was straw marquetry
work, in which they greatly excelled, producing beautiful pictures in
straw, and manufacturing and decorating with varied, elaborate, and most
artistic designs, cabinets, work-boxes, desks, tea-caddies,
dressing-boxes, small boxes of various shapes, hand fire-screens,
snuff-boxes, silk holders, etc., etc. It would appear that occasionally
the prisoners, skilled in this work, were applied to, to decorate with
their marquetry, articles such as picture frames, etc. There have
recently been presented to the museum of the Peterborough Natural History
and Antiquarian Society, by a friend, through Mr. C. Dack, the Curator,
fourteen examples of straw marquetry work, among them a case containing a
telescope which was bought at the sale of Captain John Kelly, son of
Major Kelly, the last Brigade-Major at the barracks. This resembles an
ordinary telescope, except that the tube is covered by straw marquetry,
the work of a prisoner, instead of the usual leather casing.
[Picture: Plate XII.—Pair of Fire Screens decorated in Straw Marquetry
(Peterborough Museum)]
[Picture: Plate XIII.—North-west View of Peterborough Cathedral, Executed
in Straw Marquetry (Peterborough Museum)]
The illustrations, which are reproductions of very perfect photographs
taken by Mr. A. C. Taylor of articles in the museum, show more
convincingly than any verbal description can, the beauty of the designs
and the workmanship of the most artistic of these articles, although they
fail to show the colour effects produced by the use of dyed straws.
In all there are in the museum 162 examples of straw work, almost all of
them being marquetry. There is one straw bonnet which was found in the
roof of a house at Cottesmore, twenty-five miles from Norman Cross. How
it is identified as Norman Cross work the author does not know, but if
made at Norman Cross, it was probably carried away surreptitiously by a
smuggler and hidden until a safe opportunity for its sale offered itself.
The manufacture in the prison of hats and bonnets was forbidden.
Public-domain text, read in full here on John Shaqi.
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