Even to hammer with precision is no easy matter, as every one who has tried to learn carpentry will admit. To throw a stone with as true an aim as can a Fuegian in defending himself, or in killing birds, requires the most consummate perfection in the correlated action of the muscles of the hand, arm, and shoulder, not to mention a fine sense of touch. In throwing a stone or spear, and in many other actions, a man must stand firmly on his feet; and this again demands the perfect coadaptation of numerous muscles. To chip a flint into the rudest tool, or to form a barbed spear or hook from a bone, demands the use of a perfect hand; for, as a most capable judge, Mr. Schoolcraft,[199] remarks, the shaping fragments of stone into knives, lances, or arrow-heads, shews “extraordinary ability and long practice.” We have evidence of this in primeval men having practised a division of labour; each man did not manufacture his own flint tools or rude pottery; but certain individuals appear to have devoted themselves to such work, no doubt receiving in exchange the produce of the chase. Archæologists are convinced that an enormous interval of time elapsed before our ancestors thought of grinding chipped flints into smooth tools. A man-like animal who possessed a hand and arm sufficiently perfect to throw a stone with precision or to form a flint into a rude tool, could, it can hardly be doubted, with sufficient practice make almost anything, as far as mechanical skill alone is concerned, which a civilised man can make. The structure of the hand in this respect may be compared with that of the vocal organs, which in the apes are used for uttering various signal-cries, or, as in one species, musical cadences; but in man closely similar vocal organs have become adapted through the inherited effects of use for the utterance of articulate language.