Quadrupeds manifestly take notice of colour. Sir S. Baker repeatedly observed that the African elephant and rhinoceros attacked with special fury white or grey horses. I have elsewhere shewn[363] that half-wild horses apparently prefer pairing with those of the same colour, and that herds of fallow-deer of a different colour, though living together, have long kept distinct. It is a more significant fact that a female zebra would not admit the addresses of a male ass until he was painted so as to resemble a zebra, and then, as John Hunter remarks, “she received him very readily. In this curious fact, we have instinct excited by mere colour, which had so strong an effect as to get the better of everything else. But the male did not require this, the female being an animal somewhat similar to himself, was sufficient to rouse him.”[364] In an early chapter we have seen that the mental powers of the higher animals do not differ in kind, though so greatly in degree, from the corresponding powers of man, especially of the lower and barbarous races; and it would appear that even their taste for the beautiful is not widely different from that of the Quadrumana. As the negro of Africa raises the flesh on his face into parallel ridges “or cicatrices, high above the natural surface, which unsightly deformities, are considered great personal attractions;”[365]—as negroes, as well as savages in many parts of the world, paint their faces with red, blue, white, or black bars,—so the male mandrill of Africa appears to have acquired his deeply-furrowed and gaudily-coloured face from having been thus rendered attractive to the female. No doubt it is to us a most grotesque notion that the posterior end of the body should have been coloured for the sake of ornament even more brilliantly than the face; but this is really not more strange than that the tails of many birds should have been especially decorated.