The Descent of Man and Selection in Relation to Sex, Vol. II (1st Edition)Darwin, Charles
Science
The Descent of Man and Selection in Relation to Sex, Vol. II (1st Edition)
Darwin, Charles
Evolution (Biology); Human beings -- Origin; Sex differences; Sexual dimorphism (Animals); Sexual selection in animals
The musical faculties, which are not wholly deficient in any race, are
capable of prompt and high development, as we see with Hottentots and
Negroes, who have readily become excellent musicians, although they do
not practise in their native countries anything that we should esteem as
music. But there is nothing anomalous in this circumstance: some species
of birds which never naturally sing, can without much difficulty be
taught to perform; thus the house-sparrow has learnt the song of a
linnet. As these two species are closely allied, and belong to the order
of Insessores, which includes nearly all the singing-birds in the world,
it is quite possible or probable that a progenitor of the sparrow may
have been a songster. It is a much more remarkable fact that parrots,
which belong to a group distinct from the Insessores, and have
differently-constructed vocal organs, can be taught not only to speak,
but to pipe or whistle tunes invented by man, so that they must have
some musical capacity. Nevertheless it would be extremely rash to assume
that parrots are descended from some ancient progenitor which was a
songster. Many analogous cases could be advanced of organs and instincts
originally adapted for one purpose, having been utilised for some quite
distinct purpose.[409] Hence the capacity for high musical development,
which the savage races of man possess, may be due either to our
semi-human progenitors having practised some rude form of music, or
simply to their having acquired for some distinct purposes the proper
vocal organs. But in this latter case we must assume that they already
possessed, as in the above instance of the parrots, and as seems to
occur with many animals, some sense of melody.
Public-domain text, read in full here on John Shaqi.
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