New York (State) -- Fiction; West (U.S.) -- Fiction
Mrs. Bogardus leased her house in town, and retired before the ghosts,
but not escaping them; Stone Ridge must be put in order for its new
master and mistress, and Stone Ridge had its own ghosts. She informed
her absentees that, before their return, she should have left for
Southern California to look after some investments which she had
neglected there of late. It was then she spoke of her plan for restoring
the old house by pulling down that addition which disfigured it; and
Paul had objected to this erasure. It would take from the house's
veracity, he said. The words carried their unintentional sting.
But it was Moya's six lines at the bottom of his page that changed
and softened everything. Moya--always blessed when she took the
initiative--contrived, as swiftly as she could set them down, to say the
very words that made the home-coming a coming home indeed.
“Will Madam Bogardus be pleased to keep her place as the head of her
son's house?” she wrote. “This foolish person he has married wants to be
anything rather than the mistress of Stone Ridge. She wants to be always
out of doors, and she needs to be. Oh, must you go away now--now when we
need you so much? It cannot be said here on paper how much _I_ need you!
Am I not your motherless daughter? Please be there when we come, and
please stay there!”
“For a little while then,” said the lonely woman, smiling at the image
of that sweet, foolish person in her thoughts. “For a little while, till
she learns her mistake.” Such mistakes are the cornerstone of family
friendship.
* * * * *
It was an uneventful summer on the Hill, but one of rather wearing
intensity in the inner relations of the household, one with another; for
nothing could be quite natural with a pit of concealment to be avoided
by all, and an air of unconsciousness to be carefully preserved in
avoiding it. Moya's success in this way was so remarkable that Paul half
hated it. How was it possible for her to speak to his mother so lightly;
never the least apparent premeditation or fear of tripping; how look at
her with such sweet surface looks that never questioned or saw beneath?
He could not meet his mother's eyes at all when they were alone
together, or endure a silence in her company.
Both women were of the type called elemental. They understood each other
without knowing why. Moya felt the desperate truth contained in the
mother's falsehood, and broke forth into passionate defense of her as
against her husband's silence.
He answered her one day by looking up a little green book of fairy tales
and reading aloud this fragment of “The Golden Key.”
“'I never tell lies, even in fun.' (The mysterious Grandmother speaks.)
“'How good of you!' (says the Child in the Wood.)
“'I couldn't if I tried. It would come true if I said it, and then I
should be punished enough.'”
Moya's eyes narrowed reflectively.
Public-domain text, read in full here on John Shaqi.
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