"Wake up. You'll be out of debt an' a rich man in three days," added
Olsen, and went his way.
In the afternoon Kurt set out to work as he had never worked in his
life. There was need of his strong hands in many places, but he could
not choose any one labor and stick by it for long. He wanted to do all.
It was as if this was not a real and wonderful harvest of his father's
greatest wheat yield, but something that embodied all years, all
harvests, his father's death, the lifting of the old, hard debt, the
days when he had trod the fields barefoot, and this day when, strangely
enough, all seemed over for him. Peace dwelt with him, yet no hope.
Behind his calm he could have found the old dread, had he cared to look
deeply. He loved these heroic workers of the fields. It had been given
to him--a great task--to be the means of creating a test for them, his
neighbors under a ban of suspicion; and now he could swear they were as
true as the gold of the waving wheat. More than a harvest was this most
strenuous and colorful of all times ever known in the Bend; it had a
significance that uplifted him. It was American.
First Kurt began to load bags of wheat, as they fell from the whirring
combines, into the wagons. For his powerful arms a full bag, containing
two bushels, was like a toy for a child. With a lift and a heave he
threw a bag into a wagon. They were everywhere, these brown bags,
dotting the stubble field, appearing as if by magic in the wake of the
machines. They rolled off the platforms. This toil, because it was hard
and heavy, held Kurt for an hour, but it could not satisfy his enormous
hunger to make that whole harvest his own. He passed to pitching sheaves
of wheat and then to driving in the wagons. From that he progressed to a
seat on one of the immense combines, where he drove twenty-four horses.
No driver there was any surer than Kurt of his aim with the little
stones he threw to spur a lagging horse. Kurt had felt this when, as a
boy, he had begged to be allowed to try his hand; he liked the shifty
cloud of fragrant chaff, now and then blinding and choking him; and he
liked the steady, rhythmic tramps of hooves and the roaring whir of the
great complicated machine. It fascinated him to see the wide swath of
nodding wheat tremble and sway and fall, and go sliding up into the
inside of that grinding maw, and come out, straw and dust and chaff, and
a slender stream of gold filling the bags.
This day Kurt Dorn was gripped by the unknown. Some far-off instinct of
future drove him, set his spiritual need, and made him register with his
senses all that was so beautiful and good and heroic in the scene about
him.
Public-domain text, read in full here on John Shaqi.
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