From the cabin came the sound of a laugh. It was Longstreet's, and it
was like a pleased child's.
Chapter XX
Two Friends and a Girl
Howard and Carr rode down into the darkening valley side by side. The
silence of the coming dusk was no deeper than that silence which had
crept about them while the three stood upon the cliff's edge.
Longstreet's laugh had whipped up the colour into Helen's cheeks and
had lighted a battle fire in her eyes. She had whisked away from them
and gone straight back to the cabin, meaning to save her father from
his own artlessness and from the snare of a designing widow. She had
remembered to call out a breathless 'Good-night' without turning her
head. They had taken their dismissal together, understanding Helen's
tortured mood. Each man grave and taciturn, like two automatons they
buckled on their spurs, mounted and reined toward the trail.
Then Howard had said merely: 'Come down to the ranch-house, John. I
want to talk with you.' And Carr had nodded and acquiesced.
Thereafter they were silent again for a long time.
The coming of night is a time of vague veilings, of grotesque
transformations, of remoulding and steeping in new dyes.
Matter-of-fact objects, clear-cut during the day, assume fantastic
shapes; a bush may appear a crouching mountain cat; a rock may
masquerade as a mastodon. This is an hour of uncertainties. And
doubtings and questionings and uncertainties were other shadow shapes
thronging the demesnes of two men's souls. Silence and dim dusk
without, dim dusk and silence within.
Once Howard, the lighter spirited of the two, sought to laugh the
constraint away.
Public-domain text, read in full here on John Shaqi.
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