These meadow-lands suffer from excessive aridity; it is only with an
arduous struggle that a few grasses resist the dryness which almost
constantly prevails; and frequently, as is the case in other parts of
Western Africa, the inhabitants can only procure water for their needs
by sinking wells of extraordinary depth. Less arid, the southern part of
Kordofan is better clothed with vegetation; the country is more broken,
and increases in picturesqueness of aspect as we approach the
neighbourhood of Mount Tegeler. Sennaar, which is traversed by the Blue
Nile, is far from offering an equally luxuriant vegetation: along the
river extends a vast belt of meadow, generally barren, or only blessed
with a few herbaceous plants, a few Leguminosæ, with deeply-buried
roots; and its aspect, therefore, is one of great gloom. The landscape
wants
"The glory in the grass, and the splendour in the flower"
which appeal so potently to the sensibilities of the poet. Nor does the
scenery improve as we ascend the Sennaar to the Lake of Zana, situated
to the south-east, for though the rich black soil of the Kulla valley
nourishes a profuse vegetation, it is the vegetation peculiar to the
marsh and the swamp; the wind rushes through thick sedges, and
whispering reeds, and waving grasses. On the northern borders of the
lake the pasturages are fresh and green, and a man might easily lurk
unseen among their gigantic Gramineæ, the Panicas and the Setarias.
Still keeping our faces eastward, like the Ghebirs of ancient Iran, we
perceive that Abyssinia is divided into two parts by the River Tacazze,
an affluent of the Nile; the western being called Amhora, and the
eastern Tigré. Owing to its peculiar geographical configuration and the
elevation of its mountains, Abyssinia rejoices in a wholly special
Flora. In the Semen, west of the Tacazze, there is a mountain lifting
its crest above the limit of perpetual snow, or to an altitude of 14,000
feet. Up to a height of 6500 feet its slopes are thickly carpeted with
fresh and fragrant sward, and the air throbs with the music of a hundred
streams which flow from the perennial fountains of ice and snow.
Public-domain text, read in full here on John Shaqi.
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