The deserted wifeSouthworth, Emma Dorothy Eliza Nevitte
General
The deserted wife
Southworth, Emma Dorothy Eliza Nevitte
American fiction -- 19th century; Maryland -- Fiction
Thus would the sweet child’s native goodness sometimes break through the
shell of selfishness that was crusting over it. Hagar, with one of her
quick revulsions of feeling, burst into tears, and pressed the little
one to her bosom, and Gusty, snatching her up in his arms, gleefully
exclaimed while he ran around the room with her,
“There, there, there! Hurrah! I knew it. I could have sworn my soul away
upon the soundness of my little Rosebud! I knew there was not a really
selfish drop of blood in little Rose’s tender heart!”
Then returning and setting her down, he said, “Come, the rain has quite
ceased, the sun is setting in golden glory, mother’s cake is done, and
her tea is ready, and she is waiting for me, I know. Come, Rose shall
go, too. I will carry her in my arms. And Hagar, you little savage, you
can trip on before, and when I have got you both safe at the cottage, I
can send word to Sophie, and keep you all night.” So saying he led the
children from the attic.
* * * * *
Emily May was seated in the sober glory of her neat parlor, awaiting the
return of Gusty. The round tea-table was covered with a white damask
cloth, and graced by a little silver tea service. The plum cake stood in
the centre. It was with surprise and pain that she received the
children. Ignorant of the cause of Sophie’s neglect of them, she blamed
her in her heart for it, and determined upon the next day to ride over,
and use an old friend’s privilege of speaking to her upon the subject.
The next day that visit was made, and Emily saw the wasted, sorrowing,
patient look of her friend, the truth was partly guessed, and she
proposed to take the children, and especially Hagar, under her own
surveillance. To this proposition, Sophie tearfully and gratefully
acceded. Encouraged by having gained this point, and incited by her love
of children, she went a step further and proposed that both the children
should be sent to the cottage as pupils, and share with Gusty the
instructions of the young curate, her boarder. This plan was submitted
to the decision of Mr. Withers, and having received his acquiescence,
was immediately carried into effect. Soon the most favorable change was
apparent in the children. Rosalia’s beauty bloomed like her type, the
rose, refreshed by showers and sunbeams. Hagar’s black hair no longer
hung rusty with exposure, in tangled elf locks over her shoulders, but
was banded in satin-like folds. Their characters also seemed to undergo
modification. Hagar retained all her individuality, her brave, free,
wild spirit, her rather amazonian tastes, but lost the harshness and
bitterness that made no part of it. Rosalia retained all her delicacy,
her tenderness, yes, and sensuality, but lost the selfishness not native
to her gentle character, or at least these things _seemed_ so. The evils
growing in the children’s hearts were _cut down_; whether they were
_uprooted_ or not is doubtful.
Public-domain text, read in full here on John Shaqi.
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