The deserted wifeSouthworth, Emma Dorothy Eliza Nevitte
General
The deserted wife
Southworth, Emma Dorothy Eliza Nevitte
American fiction -- 19th century; Maryland -- Fiction
She raised her fowling-piece, took aim, fired, and in another instant a
rush and whirr of wings swooped down through the air, and a white
pigeon, the hapless laggard, or perhaps the pioneer of some flock,
dropped bleeding at their feet.
“Admirable!” exclaimed Augustus.
The wild girl’s dark eyes flashed under their long lashes, and her white
teeth gleamed between her smiling lips as she noticed his surprise. But
Rosalia gazed in tearful sorrow at the wounded and fluttering bird—and—
“Poor, poor thing!” she said, “it was going home, thinking of no harm or
danger!” and her tears fell mingling with and diluting the blood that
crimsoned the white feathers of its bosom.
“Ah! it was cruel in Hagar to kill the pigeon, wasn’t it?” inquired
Gusty, derisively, relapsing into boyish rudeness.
“No! I do not say it was cruel _in_ Hagar because she didn’t stop to
think; but it was cruel _to_ the bird, poor, dear thing! Can’t you do
anything for it, Gusty?”
Now this was asked so naively through her tears, that Gusty, rude
hobble-de-hoy, burst into a loud laugh, and at its end assumed gravity
and answered,—
“Yes, we can send for a surgeon!”
Rosalia alighted cautiously from her horse, and kneeling down on the
turf gazed mournfully at the glazing eyes of the bird—it fluttered
violently once or twice, and then grew still. She burst into tears and
sobbed convulsively.
“Why, Rose!” “Why, what a baby!” exclaimed Hagar and Augustus in the
same breath.
“Oh! but, poor thing, what harm had it done? It was sailing so blithely
through the sky, and now it is quite dead—not even gone to Heaven, where
I wish it could go. I am sorry for you, too, Hagar, for I know you feel
so bad about shooting the poor bird, now that it is done.” And suffering
herself to be lifted into her saddle by Gusty, who had alighted for the
purpose, she ambled up to the side of Hagar and held out her hand—“I
know you are sorry, Hagar! are you not?”
The face of the dark girl was sparkling with mirth.
“No, my little white dove,” she answered, “not at all; and as for your
bird, though its spirit is not probably yet in Heaven, it may be on its
way there!”
“What is that you say, Hagar?” queried Gusty.
Hagar reined up her horse, and stooping, lifted the dead bird; she
asked—
“Where is the spirit, the life that animated this bird, Gusty?”
“Why, _dead_, of course.”
“Pooh! _this_ that I hold in my hand is dead, but the life—the
life—where is that?”
“Gone, of course, gone; where else should it be?”
“‘Gone’—_where_?”
“Where?—why, where?—why, gone—_away_.”
“Thank you! perfectly satisfactory,” said Hagar, and her wild eyes
flashed, and her white teeth gleamed with suppressed mirth.
“Tell me—tell me, Hagar!” said little Rosalia, “do you think, _sure
enough_, that birds _do_ go to Heaven? Sometimes _I_ think so, too; they
are so beautiful and good, you know! But then the Holy Bible says,—‘The
beasts that perish,’ therefore, of course, they must perish.”
Public-domain text, read in full here on John Shaqi.
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