The deserted wifeSouthworth, Emma Dorothy Eliza Nevitte
General
The deserted wife
Southworth, Emma Dorothy Eliza Nevitte
American fiction -- 19th century; Maryland -- Fiction
He drew her head down upon his bosom, and smoothing back her hair,
kissed her forehead and then her lips; he seemed more inclined to caress
than to converse, so she asked him no more questions then. He seemed to
love her so tenderly and truly now, that she no longer defied him. And
she was sinking into a sort of luxurious repose—which, we hope, may
last. The carriage had been winding up a wooded hill, where the branches
of the tall trees met overhead, so that Hagar, looking out, could
scarcely see the stars glimmer through the foliage; at last it emerged
from the woods and stopped; the steps were let down, the door opened.
Raymond sprang out and held his hand to assist Hagar; then conducted her
through a wide gate. It was dark, and she could see only trees, with
glimpses of sward between them; and off to her left flitting in and out
glimpses of a white house, whose size and shape it was impossible to
detect. Their path formed a half circle and ascended; presently emerging
from it, they stood before a large and elegant mansion, whose appearance
corresponded with that of the villa she had so much admired on her way
up the river. He led her up the broad marble stairs that led to the
front door—opened the door, from which a flood of light poured, letting
go her hand, stepped in before her, turned, opened his arms, and said,
in a voice of deep emotion,
“Come, dear Hagar! Let me welcome you to your long, future home—welcome!
welcome! dear wife, to arms, and bosom, and home.”
Hagar threw herself into his embrace, and then he led her through a door
opening from the left into a superb drawing-room, furnished in the old,
gorgeous style, with a rich Turkey carpet “that stole all noises from
the feet,” with crimson velvet, gold fringed curtains hanging from the
windows, and opposite from the lofty arch that divided the front from
the back room; with heavy chairs and sofas, whose crimson coverings
harmonized with the curtains; with crystal mirrors reaching from ceiling
to floor; with rare paintings from the old masters; with costly and
curious lamps, whose light glowing through the stained glass shades upon
the crimson appointments of the room, diffused a rich, subdued
refulgence through the scene. Raymond led Hagar to one of the deep
arm-chairs, and seating her, pulled the bell-rope. The door opened, and
the footman who had attended them, stood a step within the room.
“Request Mrs. Collins to come to us.”
The man bowed and withdrew. Soon the door again opened, and a small,
elderly woman, in a black silk dress and a neat cap, made her
appearance.
Public-domain text, read in full here on John Shaqi.
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