The deserted wifeSouthworth, Emma Dorothy Eliza Nevitte
General
The deserted wife
Southworth, Emma Dorothy Eliza Nevitte
American fiction -- 19th century; Maryland -- Fiction
“Talk! oh! how can I help it, dearest Raymond, when my God-given life
and love grows too strong for suppression? I have seen the emotions of
other women escape in quiet tears of joy, but I am not given to tears,
you know; there is too much fire in my composition—oh! how can I help
talking, Raymond? I _must_ speak or consume, Raymond! Does not the horse
neigh for joy when he feels his strong life—and what volumes of music,
filling earth and sky, the little bird throws from his tiny chest for
joy; the flowers bloom for joy; the trees _wave_ for joy; the streams
_run_ for joy; the cataract leaps over its rocky precipice with a
_shout_ of joy; nay, the _earth_—the earth _whirls_ around the sun in a
reel of joy; and shall I, shall I with all this God-given life, this
love, this joy, this gladness, this glory, kindling, burning, and
glowing, striking up from my bosom—shall I suppress it? turning back to
cold silence and ingratitude? No, Father. No, angels. No, husband. No,
children. You shall _hear_ how happy I am in the worship of joy!—in the
worship of joy!”
You might see the fire of her ardent soul, as the flame glowed upon her
lips, wavered over her crimson cheek, and shot in radiant glances from
her eyes, as she spoke; now gazing with rapt inspiration on her
children; now turning, and fervently embracing her husband, with a
_pure_, though passionate love!
“You would make a good camp-meeting subject, love,” said he, smiling.
“Oh, Raymond, _now_ I understand the enthusiasm of camp-meetings; the
ecstasy of conversion. Say they sometimes fall, or seem to fall, from
grace, from bliss; why that is human, that is natural; the spring
sometimes backslides into winter for days, yet we do not upon that
account deny the presence of spring, or the approach of summer; both
seasons, summer to the year, sanctification to the soul—with all
impediments, all relapses and collapses; all weaknesses and falls; all
wanderings and retrogradings—still advance—on! and up! under the
guidance of Divinity.”
“You are strangely changed, Hagar—not in your individuality, but in your
proportions—from the positive of wild to the superlative of wildest.”
“I am not wilder. Oh, Raymond! my life is deeper, higher, broader,
fuller—for these children, for these messengers from Heaven. Let my
heart sing its song of joy. Oh, Raymond! when we are _un_happy, even
when we ourselves have brought the unhappiness upon us, the calmest of
us cry out in tones of grief, bitterness, and reproach, ‘God! God!’ and
no one complains of its extravagance! Shall we not, when we are blessed
and happy, sing in tones of grateful rapture, ‘God! God!’”
“You must be quiet, love! be calm. I just looked in to bid you good
morning before going out. Shall you be able to come down into the
drawing-room this evening?”
“Yes,” replied Hagar, softly, and half abstractedly.
* * * * *
Public-domain text, read in full here on John Shaqi.
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