The deserted wifeSouthworth, Emma Dorothy Eliza Nevitte
General
The deserted wife
Southworth, Emma Dorothy Eliza Nevitte
American fiction -- 19th century; Maryland -- Fiction
At length she grew to hope that this project was abandoned, when one day
a respectable-looking woman presented herself at the door, inquiring for
Mrs. Withers. She was shown up into Hagar’s dressing-room. She
introduced herself as Mrs. Barnes, the person Mr. Withers had engaged to
take the charge of the twins, if Mrs. Withers should approve her. Hagar
received the woman with kindness, but told her that she had no intention
of parting with her children now, or as long as her life and health held
out. The woman assured her that she possessed, and could produce, the
highest credentials of respectability, capacity, &c. Hagar assured her
that her objection was not particular, but general; that she could never
resign the children to the care of any one; that Mr. Withers’s too great
care for her health had induced him to mention the plan to her, but that
she had declined it. Mrs. Barnes seemed difficult to be convinced that
Hagar’s refusal did not arise from personal objections to herself; but
at last took a reluctant leave. With her knowledge of his character and
disposition, Hagar dreaded the return of Raymond that evening. With the
wish to please him, and to disarm his resentment, she arrayed herself
charmingly, and had everything prepared agreeably to his tastes and
wishes, and awaited him in the drawing-room as usual. He came in,
smiling, with his usual graceful saunter, just as the servants brought
in the tea; the curtains were up from the arch, so that the two rooms
were thrown into one. He met her as usual, and they sat down at the
table apparently with their usual cheerfulness and affection. _He_
seemed more than usually attentive to her wants. At last she said,
“I have seen the woman you sent me for a nurse.”
“Yes, love, I know it; she has reported to me her rejection.”
This was said in a tone of cheerful content that entirely dissipated
Hagar’s anxiety; her spirits, rebounding, arose, and she was happy.
The servants were, however, in attendance, and further conversation on
the subject ceased. Presently they arose from the table and passed into
the drawing-room.
“Shall I give you some music?” said Hagar, taking up her guitar. “I have
been practising one of those low, lulling strains that I know you
like—shall I give it you?” and she sank into a velvet chair and began to
tune the instrument.
“You shall give me nothing—not a song, not a caress, not a word, when we
are alone, until you give me your _will_. If I have condescended to
answer your questions at table, it was to prevent servants from
talking.”
Public-domain text, read in full here on John Shaqi.
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