The deserted wifeSouthworth, Emma Dorothy Eliza Nevitte
General
The deserted wife
Southworth, Emma Dorothy Eliza Nevitte
American fiction -- 19th century; Maryland -- Fiction
Her cheek flushed, and her eye brightened with pleasure,—yes, with
_pleasure_. To hear him break the death-like silence that even amidst
general conversation reigned in her heart—to hear him speak to her
alone, close to her ear, even _harsh_ words, seemed like a renewal of
their confidential relations—seemed the more so because they _were_
harsh words, because they expressed a command at last with which she
could comply—conveyed a threat which implied a position, a right not yet
abandoned; it was more _husband_-like, and she nestled closer under his
shoulder, and taking the hand, the very hand that had grasped her arm,
she stole it behind her, around her waist, as she whispered,
“Dearest Raymond, how could you think that I would willingly betray
uneasiness—have I been gloomy? I will be so no longer—you shall see—dear
Raymond, smile on me—say _one_ gentle word to me; my heart has been
starving—even the bitter bread was welcome—give me a sweet word,
Raymond!”
“Don’t be ridiculous,” were the sweet words granted to her prayer, as he
withdrew his arm, and turned gaily to make a remark about a picture to
Rosalia, fascinating the gentle girl’s attention by his brilliant smiles
and glances. Hagar observed this, and her evil in ambush, her strong
waylaying foe, began to give her trouble; nevertheless she struggled
against its manifestation, and strove to assume cheerfulness, feeling
that now was not the time to alienate him by offence. Her manner
changed—flashing fitful lightnings of forced mirth across the dark gloom
of her prevailing mood. Hagar was no actress—_this_ was worse than
before! and soon she caught the eyes of Raymond fixed upon her—a dire
menace striking out through their softness, and perceiving her failure,
she grew alternately more gloomy and excited as the evening advanced—so
that every one, even the simple-hearted Rosalia, noticed it, and turning
her dove eyes on Raymond to read the explanation on his face, saw there
the calmness of his superb brow, and set him down as the blameless and
injured party.
The family party broke up at an early hour. The ladies left the room
first, and Hagar, accompanied by Sophie, attended Rosalia to the chamber
appropriated to her use, and after seeing the timid girl in bed, and
promising that the housemaid should sleep on a pallet in the room with
her, because she was afraid “to stay in the dark alone,” they passed out
into the next room, the front room, which was Sophie’s chamber. Hagar
setting the candle upon the dressing-table, was about to bid her good
night, when Sophie, taking her hand, detained her, looked earnestly,
steadily, in her haggard face, and passing her arm around her waist,
drew her up in a close but sad embrace, and said,
“Hagar, my poor girl, what is the matter; are you ill in body or mind,
or both?”
“I am well,” said Hagar, withdrawing herself from her arms.
Public-domain text, read in full here on John Shaqi.
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