The deserted wifeSouthworth, Emma Dorothy Eliza Nevitte
General
The deserted wife
Southworth, Emma Dorothy Eliza Nevitte
American fiction -- 19th century; Maryland -- Fiction
The preparations for Rosalia’s departure for Maryland went on rapidly. A
letter had been received from Emily Buncombe, in reply to the one
written by Hagar, in which she expressed the great degree of pleasure
with which she should expect the arrival of her dear adopted daughter
Rosalia. Rose had wept over the letter—there was none of the pleasure
expressed in her countenance, that might naturally have been expected.
Raymond observed it, but _he_ appeared fully occupied with the winding
up of his business, and with making arrangements for a visit to
Washington, to receive his credentials previous to his departure on his
foreign mission. It seemed the most natural thing in the world, that
Raymond Withers should propose to take his young ward and cousin under
his escort for the journey, and to see her safe in the house of her
future mother-in-law—so perfectly natural and proper, that Hagar could
find no word to say in objection—and Rosalia—but when did Rose ever
object to any course proposed for her by another? She went on
sorrowfully with her quiet preparations, and in a few days these were
completed. The day of their departure drew near, and Hagar sank deeper
into despair, that sometimes broke out into expressions of wildest
anguish. Raymond wore a dark cloud of gloomy abstraction, of morose
determination, from which the lightnings of a sudden anger would
sometimes flash, when he would be exasperated by the wild and passionate
grief and resistance of Hagar—sudden outbreaks of phrensied opposition
to the overwhelming destiny coming on, slowly coming on, surely coming
on—she felt it.
“It is unreasonable, Hagar, this wild grief at the thoughts of an
absence of but two weeks, Hagar, only two weeks. I shall be back again
in even _less_ time, probably, and remain with you a month before my
final departure.”
“Ah! ah!”
“Do you not believe me, then?”
“Yes, I believe you! I believe you! but—”
“But, _what_?”
“I cannot! cannot shake off this avalanche of cold horror from my
soul—it seems like direst doom bearing me down and down to perdition; it
seems as though the end of all things were at hand.”
“Hagar, it is your health, morbid nerves—you will get over this in a few
days, after I am gone.”
“After you are gone—yes, after you are gone, when all is silent for want
of your voice, when all is dark for want of your glance, when my whole
soul will starve for your presence—but you will no longer see my
paleness, hear my moaning, or be troubled with my heart’s sorrow!” she
would exclaim wildly and bitterly.
“No more of this! you SHALL NOT excite yourself thus in my presence. I
WILL NOT have it, you selfish and absurd woman! bah! why do you compel
me to speak to you in this manner? be easy, love! go play with the
babies, sing a song, take a ride, practise a piece of music, swallow an
opiate, read a novel—do anything, rather than cling about and around me
so tightly, that I shall have to hurt you in shaking you off. Go! go lie
down, read a play.”
Public-domain text, read in full here on John Shaqi.
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