The deserted wifeSouthworth, Emma Dorothy Eliza Nevitte
General
The deserted wife
Southworth, Emma Dorothy Eliza Nevitte
American fiction -- 19th century; Maryland -- Fiction
“At last!”
“There is danger in you.”
“THERE IS!” she exclaimed, starting with wild energy.
“HAGAR!”
He caught her burning hands and held them with the strength of a vice,
trying to catch her fiery and flying glances; at last they fell and
struck into his own, quenching their fire in the cold, calm, liquid gaze
of his mesmerizing eyes, then—
“Hagar!” he said, very softly, “why, what a temperament you have—will
_nothing_ quiet you?”
She kept her gloomy eyes fixed upon him, and was about to reply, when
the door opened softly, and Rosalia re-entered the room. Hagar started
violently, and shuddered at her sudden apparition, but Raymond continued
to hold one hand to prevent her moving, as Rosalia passed up to the
piano, and resuming her seat, with an air of forced calmness, said—
“I have come back to sing you the song, as this is the last evening of
my stay.”
There was an air of effort, of painful effort, about her singing and her
deportment generally, very distressing to see, as if the poor girl had
forced herself to a measure exceedingly repugnant to herself, for the
sake of giving pleasure, or of deprecating blame. Raymond did not
approach her while she sang; indeed he dared not yet leave the side of
Hagar, who was now looking more like a half mesmerized maniac than
anything else. By the time Rosalia had ceased singing, a servant entered
with the chamber lamps on a waiter, and accepting that as a signal for
breaking up, Raymond handed one to Rose, and bidding her good night,
opened the door and dismissed her. Hagar, with wild eyes, sprang
suddenly past him, and arresting Rose by grasping her arm, exclaimed,
“Rosalia! secure your door on the inside to-night! _do it!_” and letting
fall her arm she returned to the room, and sank into her seat. Raymond
was standing before her with folded arms and severe brow.
“What is the meaning of this new phrensy, Hagar?”
She looked up at him with fiery and bloodshot eyes.
“Raymond! I am mad! I am terrified! I am in the power of a passion I
cannot control! a fiend I cannot resist! All this evening! all this
evening! I have been impelled by an almost irresistible impulse!
attracted by a terrible fascination! _to a crime!_ _to a_ CRIME! hold
me, hold me, Raymond! keep me away from myself—I am going mad! I am! I
am!” her eyes were fiercely blazing wide, and every vein and nerve
visibly throbbing. He went to the side-board, poured out and handed her
a large glass of water, which she immediately drained. Then he leaned
his elbow on the table, and bending forward, spoke to her—
Public-domain text, read in full here on John Shaqi.
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