The deserted wifeSouthworth, Emma Dorothy Eliza Nevitte
General
The deserted wife
Southworth, Emma Dorothy Eliza Nevitte
American fiction -- 19th century; Maryland -- Fiction
“It is five o’clock, Gusty, and nearly dark besides, or would be, if it
were not for the full moon, helping the twilight.”
“It is coming, mother—the boat is coming!” exclaimed Gusty, still
keeping his telescope pointed up the river. “It is the Arrow, mother, I
can see the name.”
The boat bore down rapidly. They turned to descend the steep and
slippery sides of the cliff, and stood upon the frozen beach as the boat
flew swiftly on. His heart paused as it neared—stood still as it passed.
Let _me_ pause here. Reader, notice this party on the cold beach, and
now cast a magician’s glance into the cabin of the boat that is passing.
In a small state room opening from that cabin, upon the floor by the
side of the berth, kneels Rosalia Aguilar, with her face pressed down
upon the pillow, with the ends of the pillow held up against her head,
to shut out every sight and sound of the shore and home she is passing,
which is yet distinctly and fearfully present to her mind’s eye and ear.
She sees the village, the dividing river, the heath, with its forest in
the background; the promontory, the old Hall, with its broken garden
wall and poplar trees; lastly, the beach, and the party on the beach.
Emily and Gusty—she knows, she feels, that they are there waiting
her—she knows, she feels, that they were there yesterday, and that they
will be there to-morrow. She knows, she feels, how they will both wait
and wonder—how one will sicken and suffer with “hope deferred”—and ah!
reverting to another home upon the banks of a Northern river,—another
desolated home, desolated by herself, she sees _another_ bleeding heart
and burning brain, as she presses the pillow closer about her ears to
shut out sights and sounds that her spirit-eyes and ears must see and
hear—how long? Rosalia was not one to enjoy a single hour’s impunity in
singing—yet she went on.
Behold the insanity of passion that, through all the accumulating
anguish of remorse, perseveres in sin!
The boat has passed.
“Again, mother!” exclaimed Gusty, with a look of deep disappointment.
“Yes, and again many times, perhaps, my dear boy! Something detains her;
perhaps we shall hear by to-night’s mail,” and they turned to leave the
cliff.
Gusty saw his mother home, and, without stopping to take supper, hurried
off to Churchill Point, to await the arrival of the evening’s mail. He
returned in two hours—there was no letter. The next night, and the next,
and every night for a week longer, Emily and her son watched for Rosalia
in vain. The mail came in twice a week, and every mail-day Gusty was
waiting a letter at the post-office, and Emily waiting him at home. At
last, one night, Gusty hurried in with a letter. Throwing it in his
mother’s lap, he exclaimed,
“It is for _you_; open it quick, mother, do; there is something odd
about it; a letter addressed in Raymond Withers’s hand, and postmarked
Norfolk. What can it mean? Do read it, mother!”
Public-domain text, read in full here on John Shaqi.
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