The deserted wifeSouthworth, Emma Dorothy Eliza Nevitte
General
The deserted wife
Southworth, Emma Dorothy Eliza Nevitte
American fiction -- 19th century; Maryland -- Fiction
And indeed the wild child was always
rather beyond the control of her gentle relatives. Thus passed the
winter.
The close intimacy that had subsisted between the little families of
Heath Hall and Grove Cottage, had been considerably interrupted since
the marriage of Sophie. She wished to preserve the secret of her
husband, and therefore rather discouraged the continuance of the
hitherto almost daily intercourse between the families. Emily also felt
an aversion to the minister that had an influence in severing the close
intimacy of the friends. And Augustus, too, being in daily attendance
upon a school three miles in the opposite direction, found little chance
to visit his old playmate Hagar. Emily, however, though her visits were
few and far between, still felt in all its devotion her warm affection
for Sophie. Other neighbors, mere acquaintances, came occasionally to
the Hall, and sometimes spent a day there, or a day and night after the
manner of country neighborhood visiting, but from these careless and
uninterested observers Sophie succeeded in keeping her misfortune
secret. The two children were objects of considerable attention from
these visitors, and the striking contrast of their persons, manners, and
characters, noted and commented upon, _in their presence_. The winning
beauty and sweet confiding sociability of the fair cherub, and the wild
shy reserve of the dark child, were compared, and sagely commented
upon—and conclusions very disparaging to Hagar, drawn by these
superficial critics who did not understand her. Indeed the contrast
between these two children was so striking, that they were never passed
by strangers or servants without some such remark as this—“Rosalia is
beautiful, lovely—but that other child is _very_ homely.” It is very
wrong to make remarks on the personal beauty or ugliness of children in
their hearing. The effect is invariably injurious. It is highly
reprehensible to draw _invidious comparisons_ between the beauty of
children, especially before their faces. This thoughtlessness is fraught
with the direst consequences. When you say so carelessly in their
presence, that “Anne is prettier than Jane,” and look at Anne as though
her accidental beauty were a virtue, and look at Jane as though she were
in fault—think that into the fertile soil of the children’s hearts you
have dropped the seeds of evil—the seed of vanity in the heart of Anne,
the seed of envy into that of Jane, and the germ of discord into both.
Upon Rosalia and Hagar these thoughtless remarks were producing the
worst effects. Rosalia, loved, petted and praised, by the family, the
servants and visitors, with all her gentleness and sweetness, was
growing vain, selfish, and sensual—and loved best of all things to lie
in some old lady’s soft lap and suck sugarplums, while the said old lady
caressed and praised her. And she was a most endearing child; unlike
other spoiled and petted children, she never gave way to temper—she was
Public-domain text, read in full here on John Shaqi.
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